Jessica Chastain appears in Hia Magazine’s January 2026 issue, styled across multiple outfits with bold jewelry and layered contrasts.
The January 2026 issue of Hia Magazine places Jessica Chastain in a sequence of looks that feel more like fragments of lived-in elegance than polished glamour.
One frame shows her in a light blue dress with sheer overlay, jewelry in silver and blue, necklace and earrings matched. The plain white background strips away distraction, leaving only fabric and shine.
Another image shifts tone. Dark off-the-shoulder garment, sparkling bracelet, dangling earring. Hair neat, posture poised. Again, the white backdrop keeps it clinical, almost too clean, but the jewelry insists on drama.
A softer frame follows. Gray ribbed top, high-neck. Necklace elaborate, teardrop pendant with pink and white stones. Hair loose, backdrop dark gray. Jewelry dominates, clothing recedes.
Finally, a white button-up shirt. Circular pendant necklace, silver bracelet. Plain white background again. It’s stripped down, almost blunt, but the accessories carry the weight.
Madelyn Cline and Kiernan Shipka were spotted leaving Paris Hilton’s Infinite Icon afterparty in Los Angeles wearing chic fur outerwear looks.
Outside the Marmont, it’s late — the kind of light that feels more post-party than glamour-glow. Madelyn Cline follows a step behind Kiernan Shipka , both bundled in plush jackets that seem made for warmth as much as style. Cline wears a tan faux-fur coat , the texture soft and muted under the flash. She pairs it with black jeans and pointed ankle boots , a quiet mix of laid-back and lifted — L.A. nonchalance done right. Her hair’s tucked simply behind her ears, minimal makeup, expression relaxed.
Shipka leads in darker tones — her black coat rich and heavy-looking, layered clean over a burgundy top and cropped black trousers . A pop of whimsy comes from her leopard-print handbag finished with a red tassel charm , the kind of accessory that feels impulsive but intentional. Black pumps finish the look, sharp but effortless. She keeps a phone in hand, mid-conversation or maybe just moving past the static hum of cameras.
The moment doesn’t read as “event pose” so much as “let’s get to the car.” The fur, real or faux, acts less as ornament than armor — soft protection from flashes and January chill. Both looks embody functional chic — fashion turned companion for movement, transition, privacy.
Camila Morrone appears in Glamour Spain’s January 2026 issue, styled across multiple outfits with vintage textures and modern contrasts.
The January 2026 edition of Glamour Spain places Camila Morrone in a sequence of looks that feel less like staged glamour and more like fragments of lived-in spaces.
One cover frame shows her reclining on a textured armchair, lace dress in white, floral patterns scattered, arms resting behind her head. The wall behind is worn, chipped, almost careless. It makes the dress sharper, less romantic, more grounded.
Another shot moves outdoors, a burgundy oversized sweatshirt paired with a gradient pencil skirt. Socks sheer, heels pointed. The door behind is heavy wood, stone column beside it. Casual top against formal bottom–it’s a clash, but deliberate.
Then indoors again. A black backless dress with ruffled detailing, brown leather shoes. She leans back, eyes closed, hair falling. Rustic wall, fireplace in shadow. The elegance of the garment against the aged setting feels like contradiction, but also harmony.
A studio frame shifts tone. Light blue vinyl-like dress, glossy, long-sleeved, collared. Black heels. White backdrop, visible lighting stand. It’s clinical, almost too clean, but the futuristic fabric keeps it interesting.
Finally, a softer image. Satin dress in pale blue, halter neckline, floral patterns faint. Wooden bench, distressed wall behind. The mood is quiet, contemplative, almost fragile.
