Jessica Matten unveils a high-desert fashion narrative in Legacy Magazine, merging rugged Western tropes with a polished, sensual minimalism—a striking, modern vision.
Sometimes, the most powerful fashion statements are about setting. A vast, arid landscape, a relentless sun, and a woman who looks completely in command of it all. This is the arresting visual story Jessica Matten tells in her Legacy Magazine feature, a stark and beautiful departure from the typical celebrity profile. The actress, known for her powerful role as Bernadette Manualito in AMC’s Dark Winds , seems to bring that same unflinching intensity to her photoshoot.
Her main look is a study in contrasts: a pearlescent, satin-like shirt with subtle red and gold detailing, unbuttoned just so, paired with high-waisted white trousers cinched by classic maroon suspenders. It’s a look that pulls from Western Americana and classic menswear, twisting them into something entirely fresh. The fluidity of the blouse, with its cuffed sleeves, is a counterpoint to the structured, almost architectural lines of the pants. The suspenders, in particular, lend a strong, purposeful vibe—a stylish nod to function over frivolity.
Matten’s accessories are a quiet but potent force. On her fingers, she wears chunky statement rings with elaborate metalwork and prominent stones, giving the look a sense of grounded, bohemian luxury. Her hair is styled in a sleek, half-up bob that feels both effortless and intentionally refined. But it’s her makeup that truly captivates: a flawless base, a defined brow, and a dramatic, deep red lip that pops against the muted palette of her outfit and the desert backdrop. The overall styling—from the garments by Orlando Dugi to the jewelry by Adeline Stening and hair by Krista Perry—creates a cohesive narrative of strength and understated glamour.
The article itself reveals Matten’s thoughtfulness, as she discusses her on-screen work and her passion for Indigenous causes. She mentions being invited to events like the Native Fashion Week Santa Fe, and how she loves watching how Indigenous people are “human beings, and they’re highly skilled and they know how to do their job.” Matten also touches on her role as Bernadette, a character she describes as a blend of “traditional and modern,” a sentiment that echoes her very own style on the page.
So, is this a new kind of desert siren we’re seeing—one that trades clichés for a sharp, sophisticated edge?
Rachel Pizzolato walks the runway at Swim Week Las Vegas, debuting a series of high-impact swimwear looks that perfectly capture the event’s vibrant, theatrical energy.
Fashion week, particularly in the realm of swimwear, is less about utility and more about pure attitude. Rachel Pizzolato understands this implicitly, commanding the runway at Swim Week Las Vegas Powered By Art Hearts Fashion on August 16, 2025. Her presence on the catwalk was a powerful showcase of diverse styles, proving her versatility as a model and an undeniable force in the swim world.
She opened her series of looks in a striking black long-sleeved monokini , a piece that artfully combines sleek coverage with dramatic cutouts. The silhouette, with its high-cut leg and circular waist cutouts, feels both futuristic and subtly retro. It’s a design that plays with negative space, framed by delicate, crisscrossing straps that add a sense of intricate detail without overwhelming the clean lines. Her first look’s atmosphere is defined by a cool, confident stride, with Pizzolato’s flowing hair and a minimalist makeup palette allowing the garment to speak for itself.
Later, she transitions into two different bikinis that reveal her ability to embody a range of aesthetics. One look is a burst of vibrant color: a floral-printed bikini featuring a pastel pink and yellow top with a playful ruffle detail on the straps, paired with matching bottoms. This joyful, sun-drenched piece is a perfect counterpoint to the more somber black monokini. She also showcases a strapless, high-waisted one-piece with a bold, graphic print of skulls and other motifs—a perfect encapsulation of the kind of art-forward, rebellious aesthetic often seen at Art Hearts Fashion .
Pizzolato also modeled an ethereal white lace dress with an eye-catching green fringe detail. The dress, which appears to be a full-length creation from Maribel JD, features a corset-style top with green accents that flow into a skirt of delicate white lace, with the shocking lime-green fringe providing a kinetic, unforgettable movement. The overall effect is a kind of modern, bohemian fantasy.
Ultimately, Pizzolato’s presence at Swim Week Las Vegas wasn’t just about modeling clothes. It was a fluid, confident walk through several distinct fashion narratives. From sleek-and-edgy to playful-and-poppy, she proves herself a chameleon of the runway.
So, is Rachel Pizzolato’s chameleon-like runway presence the future of modeling, or is it just a powerful display of versatility in an industry that demands it more than ever?
Draped in a riot of color and pure pop bravado, Kelly Clarkson lit up Chicago’s United Center—her Breakaway Tour stop was part concert, part catharsis.
April 13, 2005. United Center, Chicago. The lights dimmed, the crowd roared, and Kelly Clarkson—fresh off her Breakaway album’s meteoric rise—stepped into the spotlight like she owned it. Because, frankly, she did.
Her outfit? A kaleidoscope of rebellion. A multicolored top—think patchwork punk meets boho glam—paired with a tiered skirt in bold bands of yellow, red, and black. The skirt swayed with every beat, catching the purple and crimson stage lights like fire in motion. It wasn’t couture, but it was pure Clarkson: expressive, unfiltered, and joyfully off-script.
Accessories were minimal, letting the outfit and vocals do the heavy lifting. A simple belt cinched the waist, grounding the look in early-2000s pop-rock sensibility. Her hair was tousled, her makeup smoky—like she’d just walked out of a music video and onto the stage.
