Never one to shy from spectacle, Jessica Simpson fused gothic romance with sculptural edge in a Christian Siriano gown that felt equal parts siren and shadow.
Jessica Simpson’s red carpet return at the 2025 MTV Video Music Awards was a visual crescendo. On September 7 at UBS Arena in Elmont, New York, she arrived in a look that didn’t just command attention—it sculpted it. In a sea of sequins and surreal silhouettes, Simpson’s choice was a masterclass in controlled drama, courtesy of Christian Siriano’s Resort 2025 collection.
The gown—a sheer black creation with a corset-style bodice and layered tulle detailing—was a study in gothic elegance. The fabric played with transparency and depth, catching the red and white spotlights in smoky flickers. Structured pleats and architectural folds gave the silhouette a sense of movement, while the sweetheart neckline softened the overall tension. Siriano’s signature craftsmanship was unmistakable: theatrical, but never overwrought.
Simpson paired the gown with the Tyler Ellis Lee Pouchet Clutch in Small Black Diamond Satin , finished with silver hardware—a sleek counterpoint to the gown’s texture. Jewelry was minimal, save for dangling earrings that added a vertical shimmer and framed her pulled-back hairstyle. Her shoes, likely black stilettos, remained tucked beneath the hem, allowing the gown’s drama to dominate.
Simpson’s VMAs look wasn’t just fashion—it was geometry in motion. A corset. A sheer fold. A clutch that whispered, not shouted.
For more red carpet evolutions and sculptural silhouettes, explore our archive of celebrity style .
So, is Jessica Simpson quietly leading the charge toward red carpet futurism—or just reminding us that she’s always had the blueprint?
Padma Lakshmi brought high-gloss minimalism to Toronto—her sleek white gown and gold accents turned the Golden Globes preview into a lesson in red carpet restraint.
Padma Lakshmi doesn’t just attend events—she elevates them. At the September 6 “Road to the Golden Globes” party, hosted during the Toronto International Film Festival, Lakshmi arrived at the Four Seasons Hotel in a look that felt like a masterclass in modern glamour. With the Golden Globes logo glowing behind her and the city’s film elite swirling around, she delivered a fashion moment that was both crisp and commanding.
Lakshmi wore a sleeveless, form-fitting white dress with a plunging neckline and a choker-style collar that added architectural tension to the otherwise fluid silhouette. The fabric—likely a stretch crepe or satin blend—offered a clean canvas for the gown’s sculptural lines. The neckline dipped low but remained elegant, balanced by the collar’s structured edge. The cut hugged her frame with precision, skimming the floor without excess volume. It was a look that whispered luxury without shouting.
In a season where red carpet fashion has leaned into maximalism and surrealism, Lakshmi’s look felt like a reset. It nodded to the “quiet luxury” movement dominating celebrity fashion feeds, where tailoring and tone trump embellishment. Is this the new red carpet language? A shift from spectacle to substance?
Never one to shy from theatricality, Gwendoline Christie fused vintage romance with surrealist flair in a satin-laced look that felt part Hitchcock heroine, part cyber duchess.
Gwendoline Christie doesn’t just wear fashion—she weaponizes it. At the September 8 premiere of One Battle After Another in Hollywood, Christie stepped onto the red carpet with a look that felt like a cinematic hallucination: part 1940s screen siren, part postmodern dream. And yes, she made a payphone look like a prop from a Wes Anderson fever dream.
Christie wore a light blue satin dress that shimmered like moonlight on chrome. The fabric—fluid, reflective, and unapologetically luxe—was cut into a knee-length silhouette with long sleeves and a deep V-neckline trimmed in delicate lace. The waist was cinched with a matching tie, creating a soft hourglass shape that balanced structure with ease. The lace detailing added a whisper of boudoir nostalgia, while the satin’s sheen gave the look a futuristic edge. It was a dress that didn’t just move—it glowed.
She paired the dress with pointed white high heels, a choice that felt both bridal and Blade Runner. Jewelry was minimal or absent, allowing the interplay of satin and lace to dominate. The look didn’t need sparkle—it had atmosphere. And the vintage payphone she posed with? Accidental accessory or deliberate styling cue—it worked.
For more surrealist glamour and red carpet storytelling, explore our archive of celebrity fashion .
