Jessica Williams wore a structured black utility dress with statement belt and pointed heels at Apple TV’s Press Day in Santa Monica.
At Apple TV’s Press Day in Santa Monica on February 3, Jessica Williams pulled a look that felt like fashion architecture with a sharp mood. The materials didn’t scream. The structure did. She wore a tailored black dress with tactical precision—textbook waistline, padded shoulders, and details that felt stitched into functionality.
The coat-style dress hit below the knees. A notch collar bent into a pared down V. Double-breasted buttons ran down the front, but they weren’t the main event. That was the belt —a wide black cinch with a metallic front plate and carabiner-style attachment clipped loosely at the edge. It said “yes, I know where I’m going.”
The look wasn’t soft. But it wasn’t aggressive either. More like focused . Her hair , brushed into clean, soft waves, framed her face without competing. Jewelry minimal but deliberate — a few stacked rings , no necklace, matching energy in the stainless shine of the belt. Shoes : black pointed pumps, lightly textured, slingback style with just the slightest glint in the patent.
It was less about dressing up—and more about dressing exactly enough.
Robin Thede wore a fitted black shimmer-textured midi dress with peep-toe platforms to the New York screening of “Relationship Goals.”
At the New York screening of Relationship Goals on February 3, Robin Thede took the red carpet and didn’t waste time on pretense. She just looked confident—glowing in a way that said, “Yes, it’s fitted. And yes, it’s working.” The dress was a strong black midi, cut close to the body, but not aggressively so. The fabric? Not sequined, not glossy—more of a textured shimmer. Think reptile skin, if reptile skin knew how to catch hotel lighting without screaming under it.
It had a scooped neckline and tank-style straps. No sleeves, no embellishments. Just curve, glint, presence. A subtle side slit at the hem gave the silhouette breathing room. She wore it with black peep-toe ankle-strap heels —thick platform, open vamp, the kind that adds height without losing humor. Her hair was up, a soft messy bun with just enough volume to frame, not compete. Lipstick : candy apple red, unapologetically bold. No dusty rose here. Brows crisp. No over-highlighting. Just clean radiance.
She looked ready to toast something—or ruin somebody—with the same smile.
The dress didn’t try to say something new. She just made it say it clearly.
Amanda Peet wore a textured gray jacket and black floor-length skirt to Apple TV’s Press Day in Santa Monica on February 3, 2026.
At Apple TV’s Press Day in Santa Monica, Amanda Peet brought a sense of steady formality—quiet, architectural, and just a bit somber in the best way. Her look was entirely tonal. No pops of color. No shiny distraction. Just two classic shades—deep charcoal above, jet black below.
She wore a structured gray jacket , wool or something near it, with a subtle grain woven through the surface. No lapels, no buttons—just four tied closures down the center front, giving the top closure a slight East Asian nod without going costume. The cut followed the shoulder and curved slightly at the side seams, tapering toward the high hip before stopping blunt, clean. Below, a long black skirt —completely column in shape, no visible pleats, no obvious drape, just vertical language head to toe.
Minimalism, but not modern. More monastic. More grounded.
Hair pulled back, not tight, but neat. No visible jewelry beyond what might be a ring. Makeup, if any, was kept light—skin-forward, free of eager blush or lined lip.
The whole appearance landed with the same quiet strength as a closed door in a soft hallway. Not loud. Not lost. Firm.
