Jessie Buckley wore a blue floral Dior custom gown with Jimmy Choo suede pumps at the 83rd Annual Golden Globe Awards in Beverly Hills, 2026.
Jessie Buckley at the 83rd Annual Golden Globe Awards, The Beverly Hilton, Beverly Hills, January 11, 2026. She stands on the red carpet, one hand on her hip, the other relaxed, smiling, not a hint of nerves. The dress is Dior Custom Gown –icy blue satin, off-the-shoulder, with a soft floral jacquard pattern and a sculptural, folded bodice that wraps around her frame. The skirt is straight, with a gentle tulip hem that opens just enough to show a flash of leg. No belt, no wild embellishments, just the subtle shimmer of the fabric and the quiet confidence in her stance.
Her hair is parted in the middle, pulled back into a low bun, a few wisps left loose. Makeup is soft, a little blush, lips a muted rose, eyes defined but not heavy. Earrings are Martin Katz Pink Desert Diamond , sparkling but not oversized. On her finger, a Martin Katz Pink Moval Desert Diamond Ring . Shoes are Jimmy Choo Love Pumps in Suede , dyed to match the dress. The Dior Small Dior Bow Bag is not visible in this shot, but it’s part of the look.
This is a look that leans into classic red carpet glamour–soft color, sculptural shape, but never feels like a costume. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the fabric and the fit do the talking.
She could be anywhere–a gala, a wedding, or just lost in the crowd. Tonight, she’s here, and the blue does all the work. The rest is just background noise.
Emma Laird wore a powder-blue strapless gown with layered ruffles at the 28 Years Later premiere in London on January 13, 2026.
The black carpet outside London’s Bone Temple premiere had that wet-city shine–umbrellas everywhere, lights cutting through steam. Through it all, Emma Laird appeared like a small miracle in silk. Her gown, the color of frost at morning, caught every flash differently: soft in one moment, metallic in another. Strapless, sculpted bodice. The skirt a whirl of folded fabric, almost petal-like but sharper. A dress that doesn’t just float; it asserts itself through motion.
No heavy styling. Her hair, slicked back and simple, no necklace to crowd the neckline, her skin almost mirrors the gown’s pale reflection. Just a small glint of silver at her heels and a few rings. It’s controlled–unfussy, clean, and confident. The whole thing feels more cinematic cool than red carpet glamour, which suits her perfectly. The ruffles catch air each time she shifts; you can almost hear them.
As red carpet fashion goes, this sits somewhere between fairytale and futurism–a little surreal, a little practical. The pastel shade works against the film’s dark theme, like a counter-note to the chaos its title promises. It’s not about prettiness here–it’s tension, lightness built on edge, a gown that looks ready to walk right through the smoke.
Ayo Edebiri wore a black off-shoulder Chanel velvet gown and a 10-carat Tiffany diamond ring to the 2026 Golden Globes.
All it takes is one sweep of the staircase and Ayo Edebiri owns it–draped in a midnight-black Chanel Pre-Fall 2026 gown that sinks into the carpet like wet ink. The off-shoulder neckline skims her collarbones, tiny crystal pins anchoring ribbon bows at each arm. No corset theatrics, just liquid velvet falling clean to the floor. On her hand: the Tiffany & Co. High Jewelry Diamond Ring in Platinum with a Diamond of over 10 Carats , catching every rogue flash. One frame later the look has already joined the canon of bold yet pared-back red carpet moments worth bookmarking.
