Jessie Buckley wore a deconstructed black blazer with raw-edge detailing for the Variety Actors on Actors 2025 editorial feature.
For her appearance in the Variety Actors on Actors 2025 series, Jessie Buckley opted for a monochromatic ensemble that prioritizes avant-garde tailoring. Captured in a stark studio portrait, she wears a black structured blazer characterized by deliberate deconstruction. The garment features a high, asymmetrical neckline and a central button closure flanked by exposed, frayed seams that run vertically down the torso and along the inner sleeves. This raw-edge detailing contrasts with the sharp shoulders and traditional flap pockets, creating a tension between classical formality and industrial rebellion. Her styling remains minimalist, with short, textured hair and subtle silver hoop earrings that allow the architectural garment to remain the focal point.
Jennifer Lawrence wore a black square-neck gown and bold drop earrings for the Variety Actors on Actors 2025 photoshoot by Alexi Lubomirski.
For the December 2025 edition of Variety’s Actors on Actors, Jennifer Lawrence joined Leonardo DiCaprio in a series of studio portraits captured by Alexi Lubomirski. Lawrence opted for a minimalist aesthetic centered on a form-fitting black gown. The garment features a precise square neckline and delicate spaghetti straps, emphasizing a clean, architectural silhouette. She paired the look with dramatic, dark pointed drop earrings and a slender metallic bracelet on her left wrist. Her styling remains understated with soft, side-swept bangs and a natural makeup finish that leans into the editorial’s intimate, monochromatic mood.
Jennifer Lawrence, Amanda Seyfried, Renate Reinsve, and Jessie Buckley star in THR’s December 2025 roundtable editorial.
The Hollywood Reporter’s December 2025 roundtable gathers four of the season’s most compelling actresses—Jennifer Lawrence, Amanda Seyfried, Renate Reinsve, Cynthia Erivo and Jessie Buckley—for a multi-look editorial that blends cinematic introspection with fashion-forward styling. Each portrait captures a distinct emotional register, mirroring the complexity of the roles these women have embodied throughout the year.
Jennifer Lawrence appears in a sleek black sleeveless dress with a deep neckline and gathered waist, standing beside a reflective glass wall that doubles her image. The styling is minimalist, but the mirrored composition amplifies the psychological depth—an apt metaphor for her performance in Die My Love , where postpartum grief and maternal identity collide. Her quote, “I’ve always been strict about, ‘I don’t want to talk about my kids.’ But it’s impossible not to,” anchors the editorial in raw vulnerability.
Amanda Seyfried’s shimmering pink jumpsuit, styled by Elizabeth Stewart, offers a visual counterpoint—bold, bright, and unapologetically feminine. Standing against a mirrored wall, she reflects both literal and metaphorical duality. Her discomfort with choreography in The Testament of Ann Lee becomes part of the narrative: “My discomfort is internal, because no one’s got time for that on set,” she admits, revealing how performance often masks personal unease.
Renate Reinsve, dressed in a white blazer with circular cutouts and black pants, delivers quiet strength. Her quote—“I finally feel like I’m on the right path, but it’s taken a long time”—speaks to the emotional labor behind her role in Sentimental Value . The styling, by Karla Welch, reinforces her journey: structured yet open, modern yet introspective.
Jessie Buckley, seated in a black ensemble against a reflective wall, embodies the editorial’s thesis: complexity without projection. Her statement, “I never want to project any idea of what the women I play are meant to be,” encapsulates the roundtable’s ethos—performance as exploration, not definition.
The accompanying interview threads these portraits together with candid reflections on motherhood, grief, artistic discomfort, and stolen first-paycheck purchases. Lawrence recalls smashing shampoo bottles in a bathroom scene, Seyfried jokes about stolen Louis Vuitton, and Erivo confesses to buying her first Chanel bag in cash. The tone is intimate, irreverent, and deeply human—an ensemble of women who refuse to flatten themselves for the sake of press cycles.
