Jessie Buckley fronts ELLE USA’s Women in Hollywood issue in a series of images that toggle between sculptural tailoring, playful schoolgirl edits, and cinematic monochrome drama.
For ELLE USA’s Women in Hollywood issue shot by Nathaniel Goldberg, Jessie Buckley presents a compact wardrobe study that balances theatricality with intimate charm. The sequence moves from polished editorial restraint to exuberant, characterful styling, making the portraits feel both curated and conversational.
Tailored Black Dress with Puff Sleeves A dramatic, voluminous‑sleeved black dress with a square neckline anchors the monochrome portrait. The silhouette reads archival yet modern, using shoulder volume to create a stage‑ready frame that complements Buckley’s short, slicked‑back hair.
Schoolgirl‑Adjacent Editorial Edit A green knit with a contrasting maroon collar paired with a dark pleated pinstripe skirt channels a playful, rebellious prep aesthetic. Fishnet stockings and white high‑heeled shoes introduce a deliberate tension between innocence and subversion; accessories are minimal and pointed.
White Blouse with Red Bow Cover Look The cover image—Jessie in a crisp white blouse topped with an oversized red bow and black tights—functions as the issue’s tonal pivot: theatrical, authoritative, and immediately iconic. The bow reads like an editorial signature, letting minimal makeup and a plain backdrop intensify her presence.
Ali Larter arrived at the Paramount+ Landman Season 2 premiere in a reflective silver one‑sleeve gown that read futuristic and red‑carpet ready under New York lights.
On November 11, 2025, Ali Larter attended the Paramount+ premiere for Landman Season 2 at Alice Tully Hall, Lincoln Center, stepping onto the carpet in a striking metallic silver gown. The one‑sleeve silhouette caught and reflected light, creating a cinematic, almost futuristic sheen that made the outfit read like an intentional statement piece for a high‑profile television launch.
Gown: A floor‑length, metallic silver dress with a single sleeve; the fabric’s high‑reflectance finish amplifies movement and produces strong highlights under event lighting.
Silhouette: The one‑sleeve cut creates asymmetric interest, balancing covered structure with exposed armline for both drama and modernity.
Accessories & Styling: Minimal visible jewelry and a sleek styling approach let the gown dominate; hair and makeup are calibrated to complement the dress’ reflective properties rather than compete with them.
Red‑Carpet Context: Against a textured backdrop branded for Paramount+ and the premiere, the gown functions as both costume and moment photograph—designed to register on camera and in press frames.
Myleene Klass wore a sparkling green mini dress with silver‑trim straps and red glitter heels on the yellow brick‑road carpet at the Wicked For Good premiere in London on November 11, 2025.
At the Wicked For Good premiere in London on November 11, 2025, Myleene Klass stepped onto a themed yellow‑brick carpet in an outfit that played directly into the film’s emerald palette. Photographed against a green backdrop emblazoned with WICKED FOR GOOD, she wore a bright, sparkly green mini dress with thin straps and a silver‑trim neckline, finished with striking red glitter high heels that read as a playful nod to theatrical iconography.
Dress: A vivid green, heavily sparkled mini with thin straps; the silver trim along the neckline accentuates the décolletage and adds a couture touch visible on camera.
Footwear: Red glitter high heels provide a contrasting pop and theatrical callback to classic stage imagery, creating deliberate color tension with the dress.
Styling & Set: Minimal visible jewelry lets the dress and shoes dominate; the yellow brick‑patterned floor and floral accents frame the look as a purposefully themed, promotional moment.
