Jessie Murph, in her July 2025 NYLON Magazine photoshoot, served up a delightfully unexpected, vibrant ensemble – a playful collision of sheer florals and unexpected pastels that’s truly something to behold.
Ah, Jessie Murph. The name itself suggests a certain… edge, no? And for her July 2025 photoshoot with NYLON Magazine, she delivered precisely that: an audacious, almost theatrical ensemble that perfectly encapsulates her unique, unbothered aesthetic. It’s a brave new world for celebrity styling, and Murph is clearly a willing explorer.
Jenna Ortega debuts a hauntingly chic silhouette, blending gothic allure with a playful whiplash chic twist, as she graces the Radio Times cover for August 2-8, 2025.
The cover of Radio Times Magazine, dated August 2-8, 2025, hits like a visual thunderclap—Jenna Ortega, poised as Wednesday Addams, commands the frame with an intensity that lingers. Flanked by Catherine Zeta-Jones’ Morticia and Joanna Lumley’s Hester, the trio exudes a dark elegance that feels both timeless and urgent. Ortega’s outfit, a velvety black gown with a structured bodice, whispers of Victorian mourning yet dances with modern edge—crafted, one imagines, by a designer like Thom Browne, known for such gothic reinventions. The fabric’s deep sheen catches the light, amplifying her pose: one hand raised in a defiant peace sign, the other resting with eerie calm.
Anne Hathaway, on the set of ‘The Devil Wears Prada 2’ in New York City on July 29, 2025, delivered a masterclass in understated power dressing—a sophisticated, subtly commanding look that hints at Miranda Priestly’s lasting influence, perhaps?
The air in New York City on July 29, 2025, carried a familiar buzz: a whisper of high fashion and a hint of cinematic magic. Yes, The Devil Wears Prada 2 is truly happening, and Anne Hathaway, our beloved Andy Sachs, was spotted on set, looking every bit the polished, post-Runway success story. The transformation from frazzled assistant to fashion-savvy editor seems complete, and frankly, it’s a sight to behold.
