Jessy Hodges wore a red plaid check dress with draped fit and sandals at Apple TV’s 2026 Press Day in Santa Monica.
At the Apple TV Press Day in Santa Monica, February 3, 2026, Jessy Hodges showed up in a look that felt more natural than staged. No genre cosplay. No costume glamour. Just a checkered dress that could’ve come straight from a sharp vintage shop or someone’s well-dressed aunt in the ’80s—in the best possible way.
The pattern : red and cream plaid. The fabric texturally matte, likely cotton or some linen blend, with the slight rise you get from weaves that don’t try too hard. The silhouette: a relaxed wrap shape , with a side drape and offset buttoning detail that added structure without stiffening it. Sleeves slightly puffed then pushed up to the elbows like she was two minutes away from baking something.
Gold hoops and a wide smile. Hair ironed straight but left to fall freely, parted at the center. No gloss overload. Just stripped-back confidence and red open-toe heels—slender straps, easy attitude.
She didn’t walk in screaming for light. She just stood in hers.
Kerry Washington wore a structured Hermès leather dress and Paris Texas pointed boots at Apple TV’s 2026 Press Day in Santa Monica.
At the Apple TV Press Day in Santa Monica on February 3, 2026, Kerry Washington landed squarely in the zone between armor and elegance. There was nothing soft about it—at least not visually. She wore a black leather dress by Hermès , straight and sculpted, with contrast textures that refused to blend. The bodice—tight, zipped, molded—felt almost architectural. It gave way to a stiff front panel that split down the middle, revealing a slightly more supple leather skirt underneath.
Paired with that? A bold choice: the Paris Texas “Lidia” boots , glossy jet black with the brand’s signature extreme stiletto and toe like a dagger. Ultra-fitted. The shaft hit straight under the hem of the outer layer, the thigh gap just enough for a flash of sheer tights. Not leg baring. Not buttoned-up. Something in between. Movement made the leather shift—creased at the ankle, taut again at the toe.
Hair , long and center-parted, fell in natural curls, defined but casual. Makeup was calm. Slight contour. Nude lips. And the body language? Relaxed. Not a power pose. Just secure.
It was the kind of look that doesn’t raise its voice—but you definitely hear it.
Cameron Diaz wore a white Toteme long sleeve top and petal-trimmed midi skirt at Apple TV’s 2026 press day in Santa Monica.
At the Apple TV Press Day in Santa Monica on February 3, 2026, Cameron Diaz showed up in something you could blink past at first glance—until it moved. Her look , full Toteme, felt clean. A white long-sleeved crewneck top , fitted but soft, without shine or flash, tucked steady into a mid-length ivory skirt . The silhouette: slim. Controlled. Then came the shift—at the hem, suddenly a burst. A three-dimensional gathering of feather-like petals, stitched in rows just above the knees. Subtle, but unmistakable once you saw it.
The color story stayed muted: off-white heels, soft gold watch, no competing accessories. Her hair, a sleek low ponytail with a tucked side part. Minimal makeup, slightly glossy lip, skin that looked more like skin than product. Standing comfortably, not overly posed among male co-stars in deviating layers (navy suit, rolled denim, brown suede… everyone some shade of informal).
The lighting was soft. The mood was quiet.
But her skirt just wouldn’t sit still—and that was the point.
