Jewel Kilcher wore a black embellished mini dress with sculpted sleeves at the Zuhair Murad Spring 2026 couture show in Paris.
At Paris Fashion Week, Jewel Kilcher stepped out for the Zuhair Murad Haute Couture Spring/Summer 2026 show with clear intent: subtle power. No theatrics. Just a clean, quietly-constructed look that held its own, even surrounded by chandelier drama and mirrored stone floors humming with candlelight reflections. This was not a showy entrance—it was a steady one.
She wore a black mini dress , tailored close but not suffocating, with firm shoulder structure and gold stud accents scattered with eerie symmetry. The sleeves, long and sculpted, featured precise cutout slashes near the elbows—calculated and sharp, but nothing frilly. You got the sense every dart and seam had a purpose. Shoes? Sleek black pointed heels. Hair was pulled back neatly, unbothered. Her event appearance didn’t push a trend, didn’t reference a decade, didn’t collapse under a label. It just looked… ready.
The celebrity event look quietly aligned with a rising mood across couture weeks lately—less about costume, more about command. Less peacocking, more presence. When the dress doesn’t beg for attention, you start paying it more.
KATSEYE wore embellished sheer gowns and pastel-toned dresses at Spotify’s 2026 Best New Artist Party in West Hollywood, California.
At Spotify’s 2026 Best New Artist Party in West Hollywood on January 29, girl group KATSEYE showed up in full formation: six members, six looks, same wavelength—shimmering, sculpted, and tightly coordinated. Standing shoulder to shoulder against the branded backdrop, it was clear: this wasn’t a “pick your own vibe” moment. It was a public appearance designed to perform unity through variation. Meaning, yes, everyone looked different—but not too different.
The palette stayed within a narrow emotional range: dusty pinks, metallic nudes, champagne, pale lavender, and one mossy green curveball that somehow didn’t disrupt the softness. Silhouettes hugged close to the body, with sheer mesh , corseted bodices, crystal fringe , and glossy appliqués showing up like motifs in a girl group collection. Necklines ran from straight and structured to deep-cut and draped. The styling logic was pretty simple: elongate the body, reveal just enough, and catch light from every angle.
Makeup leaned universal—muted lips, defined lash lines, shimmer where it counts. Hair ran the spectrum from pin-straight with center parts to brushed-out curls and slicked style backs. No one tried to outdo the others. That’s the performance skill of newcomers who understand unity as brand image. No big frills, no ironic twists.
The standout? One member in a translucent olive dress with 3D petals stitched down the skirt—maybe a stray from the palette, but it anchored the lineup. Look closely, and it’s clear: this wasn’t about individual rebellion—it was about building a shared aesthetic that could sell out tour dates and skincare contracts in the same breath.
Halle Berry and Rachel McAdams wore black and floral dresses for the Graham Norton Show TV appearance on January 29, 2026.
January 29th brought a casual kind of energy to BBC Studioworks 6 on Wood Lane. Onscreen, Halle Berry , Rachel McAdams , and Chris Hemsworth settled in for their chat on The Graham Norton Show , outfits playing somewhere between red carpet polish and couch-ready ease. This was less about high-concept fashion, more about event appearance clarity—how to dress when you know millions are watching… but you’re also just sitting with a glass of wine on a red sofa.
Halle’s look did all the work up front. A body-skimming black dress, covered in large red floral prints , paired with sheer black sleeves that hinted at old-school vamp but never went flat-out gothic. Sleeves pushed slightly up. Rings on both hands. Hair down—wavy, glossy, hovering right above the clavicle. The neckline: deep, but not desperate. She looked anchored.
Next to her, Rachel chose control over distraction. A clean, strapless black dress , softly pleated at the bust. The shape held its own without embellishment. Hair worn long over one shoulder in fluid waves. Pale nail polish, delicate jewelry. It’s the kind of look that doesn’t chase trends but locks into the moment. Thoughtful, but not performative.
Hemsworth crossed it all up—slouchy taupe overshirt, white tee, worn trousers, and a tag necklace. Easy. Relaxed. It somehow worked. Opposite him, comedian John Bishop stuck to navy-on-denim, which blended into the set’s cool tones almost too well but kept the focus on the guests.
What’s interesting here? No one came dressed to shock or trendjack. It’s a reminder that the smart version of public style isn’t always about fashion—it’s about knowing when to step back and let presence do the job.
