Joanna Krupa attended Mariusz Przybylski’s 20th Anniversary Show in November 2025, wearing a black patterned two-piece outfit.
Joanna Krupa on the carpet. Black two-piece, crop top long-sleeved, skirt fitted, pattern subtle but visible. Outfit neat, sharp, no fuss.
Backdrop heavy. Logos stacked — Samsung, PUPA, Kazar, IQOS, Perlage. Names layered, almost louder than the clothes.
Her stance steady. Hands relaxed, body angled, expression calm. No excess jewelry, no distraction. Just fabric and form.
Kym Marsh appeared in Prima UK’s February 2026 issue, photographed by Nicky Johnston in three editorial looks.
Kym Marsh in pink. Sweater striped maroon and blush, skirt sheer, flowing, chair pale pink, backdrop solid. Everything drenched in one palette. Pose relaxed, almost domestic, but styled.
Next frame. Burgundy top, fringed skirt textured, barefoot. Tattoos visible — crescent moons, stars inked on ankle and foot. Smile wide, hair loose, wall white brick behind. “Prima” stamped in corner. Outfit feels tactile, lived-in, not polished.
Final look. Light pink turtleneck, skirt layered white, fabric twirling mid-motion. Barefoot again, floor pink, backdrop pink. Movement caught, skirt lifting, body steady. A frame that feels playful, almost clumsy, but intentional.
Juliette Lewis appeared in Flaunt Magazine’s March 2025 issue, photographed in multiple editorial looks ranging from dark elegance to retro layering.
Juliette Lewis on the road. Dark dress flowing, fabric caught in wind, heels pressing against cracked asphalt. Hills behind, sky heavy, clouds rolling. A look that feels both fragile and stubborn.
Next frame. Fence cold, chain links sharp. Pants wide, top dark, necklaces layered, handbag hanging. Trees bare, mountains misted. Outfit steady, backdrop moody. A mix of urban edge and rural silence.
Then the stump. Lace blouse sheer, sleeves flared, pants high-waisted, shoes platformed, reddish-brown. Arms stretched, balance uncertain. Mountains hazy, grass dry. Retro softness against rough ground.
