Joelah Noble wore a sleek black hooded cut-out dress and strappy heels at the Shelter premiere in London on January 20, 2026.
At Leicester Square, the teal carpet catches the overhead light — bright, clean, cinematic. Joelah Noble arrives standing straight, unbothered by the cameras lined down the row. Her look? Confident minimalism sharpened with a hint of play. She’s wearing a black body-skimming dress that wraps like liquid around her frame, marked by a midsection cut-out on one side that flashes skin with precision.
The hooded silhouette pulls over her hair sleekly, framing her face rather than hiding it. It’s an unexpected touch — not sporty, not gothic, but something in between. Long detached sleeves extend just past the elbows, keeping the shape clean and unified. The effect is sculptural: body as architecture, knit into motion.
She pairs it simply: black strappy heels , small metallic accents at the ankle, no clutter, no competing pieces. A delicate silver chain at her neck glints under the lights, mirroring the subtle sheen of the fabric. Makeup stays classical — glowing skin, neutral tones, a shallower contour to emphasize cheekbones. Her hair’s slicked and parted , tucked neatly beneath the hood.
The look feels direct, self-possessed. It’s eveningwear without theatrics, the kind of outfit that knows exactly what it’s doing. Fashion Verdict: Precision and poise wrapped in stretch and angles — one of those red carpet looks that says very little and still holds the whole room. Simple confidence, dialed up with control.
Nadiya Bychkova wore a dark checked suit with a lace bralette and black heels at the Shelter premiere in London on January 20, 2026.
The teal carpet at Leicester Square catches the overhead lights, but it’s Nadiya Bychkova who pulls focus the minute she steps forward. No gown. No glitter. Just sharp tailoring with its own charge. She wears a dark checked suit , the jacket cut long and lean, its lapels open enough to show a black lace bralette underneath — delicate against the structured lines. The trousers mirror the jacket’s pattern, cropped just above the ankle to show a confident bit of heel.
Her blonde hair , cut to the shoulder in soft waves, is styled with a bit of deliberate disarray. It falls casually over one eye when she tilts her head, making the whole image more cinematic than posed. Red lipstick , vivid but balanced, delivers the only real hit of color in an otherwise monochrome ensemble. The effect feels unforced — a nod to evening polish filtered through personal style rather than standard red carpet fashion .
Rachel McAdams wore a tailored black one-shoulder gown with sculptural details and diamond jewelry for the Send Help world premiere on January 21, 2026.
On the Send Help red carpet, the tone reads more restrained than glamorous — but that’s exactly where Rachel McAdams seems most powerful. She steps forward in a Pierre Cardin Fall 2009 gown , measured simplicity meeting sculptural weight. The silhouette cuts clean and close, falling to the ankle in a single dark line. The one-shoulder neckline juts upward in quiet precision, the opposite side draped into a thin cape that moves just slightly as she poses.
