Joey King wore a patterned cardigan with olive green pants and white sneakers in Los Feliz on December 16, 2025.
Joey King was spotted out for breakfast at All Tiime in Los Feliz on December 16, 2025, offering a candid glimpse into her off-duty style. Please note: This analysis is based solely on the visible portion of the outfit, as the image is cropped above the waist. The actress opted for a patterned cardigan layered over a muted brown top, paired with olive green pants and white sneakers. A black handbag added a practical touch, while oversized sunglasses lent a hint of urban anonymity. Her companion, dressed in a green sweatshirt and dark blue pants, reinforced the relaxed, everyday vibe of the outing.
The cardigan itself is a visual focal point—its patchwork of colors and motifs suggests a playful, almost folkloric sensibility, contrasting with the otherwise grounded palette of the look. This juxtaposition between whimsy and utility is emblematic of Los Feliz street style, where eclectic layering often meets functional ease. King’s choice of olive green pants anchors the outfit in earthy tones, while the white sneakers maintain a clean, unfussy finish.
Paulina Chávez wore five distinct editorial outfits for Galore Magazine’s December 2025 Wavey photoshoot.
For Galore Magazine’s December 2025 issue, Paulina Chávez steps into a high-fashion kaleidoscope curated by Wavey, delivering a multi-look editorial that oscillates between theatrical flair and streetwise precision. The shoot unfolds across five distinct fashion compositions, each revealing a different facet of Chávez’s expressive style and editorial versatility.
Olivia Dean wore four distinct high-fashion looks for NYLON Magazine’s December 2025 editorial by Leeor Wild.
British singer Olivia Dean steps into the editorial spotlight for NYLON Magazine’s December 2025 issue, captured through the lens of Leeor Wild in a series of visually arresting studio portraits. The shoot features four distinct fashion ensembles, each offering a different facet of Dean’s evolving style vocabulary—ranging from athletic surrealism to urban glamour and conceptual minimalism.
In the first look, Dean stands confidently in front of grid-paned windows, wearing a red zip-up jacket with white sleeve stripes, layered over a sculptural dark gray bow that dominates the chest. Paired with black belted shorts, sheer tights, red gloves, and open-toe heels, the outfit fuses sportswear with avant-garde construction. The bow acts as both armor and ornament, suggesting a playful defiance of conventional proportions.
The second ensemble places Dean on a city street, holding a lit sparkler while wrapped in a voluminous fur coat. Beneath, red embellished shorts with a statement belt—adorned with stones and hanging ornaments—create a rich textural contrast. The urban backdrop, complete with traffic signage and architectural detail, amplifies the tension between glamour and grit. This juxtaposition evokes the spirit of 1970s disco rebellion reimagined for modern streetwear.
In the third frame, Dean sits against a stark white background, wearing a beige trench coat over a knit top, paired with white socks and fingerless gloves. A round cream-colored handbag with a gold clasp rests at her feet. The pose—one leg raised, one hand gesturing mid-air—feels intimate and editorially precise. This look channels quiet luxury, where tactile layering and neutral tones speak louder than embellishment.
The final outfit introduces a teal and pink windbreaker-style top paired with a silky teal skirt trimmed in lace. Strappy high-heeled sandals complete the ensemble. Seated on a wheeled platform beside a spool of thread and an oversized needle, Dean becomes part of a conceptual tableau that blurs the line between fashion and installation art. The styling here gestures toward the handmade and the hypermodern, suggesting a narrative of creation and transformation.
