Joey King wore a white t-shirt with Lisa Says Gah Evelyn Tie Pants and carried a Woolrich Vintage Sweater while picking up her new car in Los Angeles on December 29, 2025.

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Elyse Hofer appeared in multiple editorial shoots across 2025, showcasing varied outfits and styles in a year of fashion highlights.

Elyse Hofer across 2025. Outfits shifting, moods changing. Denim one day, sequins the next. A blazer sharp, then a dress loose, fabric catching light.

Studios, rooftops, streets. Backdrops plain, others cluttered. Props sometimes absurd — mannequins, crates, roses. Each frame different, stitched together only by her presence.

It’s uneven. Some looks polished, others clumsy. A year of experiments, not perfection. That’s the point.

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There’s honesty in the mix. Clothes that feel lived, others that feel staged. Together, they carry a rhythm of trial and error, of fashion as process.

Not just a year in review. More like fragments collected — jackets against fences, boots against salt flats, lipstick against shadow. A collage of 2025, imperfect but hers.

Michelle Randolph and Ali Larter posed in contrasting outfits during Interview Magazine’s Landman Season 2 BTS editorial in December 2025.

Michelle Randolph seated, denim cut-outs sharp, sandals branded, look casual but styled. Hair loose, frame relaxed, outfit leaning into everyday with a twist.

Ali Larter beside her, corset dress layered, lace heavy, ribbons tied. Fishnets patterned, boots laced, hat tilted red-trimmed. Costume leaning into play, almost theatrical, but softened by the BTS setting.

Props scattered. Chairs marked, bottle tucked, phone visible. Beige wall plain, window behind. A shoot caught mid-pause, not polished, just lived.

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It’s straightforward. One outfit casual, the other ornate. Together, they carry contrast. A behind-the-scenes frame, not a performance.

There’s something raw here. Not couture perfection, but lived-in styling. A look that feels half staged, half ordinary, but undeniably theirs.

Not just BTS. More like two moods side by side — denim against chair, corset against wall, presence against pause.