Jordan Chiles wore a red corseted mini-dress with beaded embroidery, red tights, and matching heels at Spotify’s 2026 Best New Artist Party.
At the 2026 Spotify Best New Artist Party in West Hollywood, Jordan Chiles didn’t dial it down. In a room full of platform boots and see-through synthetics, she went full tonal power play—head to toe in true red . The core piece: a tightly corseted mini-dress , sharply boned with a classic sweetheart neckline. But it wasn’t just structure. Everything below the hip was hand-finished with crystal-like red embellishments , clustered and textural at the hem. No shimmer. All grip.
She anchored the look with opaque red tights , dyed to match so precisely you had to squint to see where dress stopped and legs began. Same goes for the pointed red heels—elegant, single strap, modest heel height. And nothing flashy about the styling otherwise. No necklace. Nails bright white and squared. Tattoos peeking through her shoulder lines added roughness in exactly the right places.
Hair slicked back hard. A near-wet shine. No curl, no gesture—just a clean sweep to let the neckline do its thing. The event appearance felt like a stage outfit that slipped onto a black carpet and still managed to speak louder than most gowns.
Chiles didn’t just coordinate—she hit monochrome so hard it echoed.
Normani wore a burgundy draped mesh gown with sheer panels and train detailing to the American Heart Association’s Red Dress Collection 2026 event.
At the 2026 Red Dress Collection concert in support of the American Heart Association, Normani didn’t just attend—she glided. Sculpted into a deep burgundy mesh gown that was more air than fabric, she moved like a figure sculpted out of wind. The dress? Covered, but barely. A sheer bodice swirled with layered panels that wrapped diagonally across the chest and hips like a carefully unwrapped ribbon—part dancewear, part goddess-level drama.
The standout moment came from the sleeve situation : one arm with a sheer draped train attached at the wrist, lightly caught in her hand like a veil. The movement was all fabric and attitude. You couldn’t miss it. The underlayer was sleek and body-hugging, while the outer layer gave shape, flow, airspace.
Her hair was worn long and parted down the center, cascading in polished waves—Old Hollywood minimal, paired with soft bronze makeup and a deep nude gloss. No necklace. Just a pair of minimalist hoop earrings. The beauty choices amplified the silhouette more than they interrupted it.
This event appearance didn’t rely on volume or sequins. Normani made red carpet impact with nothing but gauze, structure, and a deliberate pivot.
Paris Jackson wore a black asymmetric cutout mini dress with red-soled platform heels at Spotify’s Best New Artist Party in Los Angeles.
At Spotify’s Best New Artist Party in West Hollywood on January 29, Paris Jackson walked the black carpet in a look that said minimal fabric, maximum attitude. The base? A black cutout mini dress with a sharply asymmetrical shape—long sleeve on one arm, completely bare on the other. Midriff exposed through a diagonal slash that wrapped, almost like the dress itself had been pulled sideways mid-motion.
She paired it with platform sandals —ankle-strapped, velvet-finished with striking red soles peeking out from underneath. One heel planted forward, posing like a clock hand. A small clutch in one hand. Tattoo details visible across her ankle and ribs, offsetting the otherwise sleek simplicity of the silhouette.
Hair: Side-parted, tousled waves, letting the curl fall naturally into the collarbone. Makeup leaned soft except for the eyes—smoky, but not smudged. Jewelry stayed tight: rings stacked, but no heavy metal. The event appearance wasn’t trying to mimic couture. It was sharp and grounded in the idea that eveningwear doesn’t have to cover all the effort.
Jackson’s version of “dressed up” isn’t about more—it’s about precision subtraction.
