Judy Greer wore a brown half-zip knit top with wide-leg trousers and pointed black heels at the Apple TV Press Day in Santa Monica, 2026.
At the Apple TV Press Day in Santa Monica on February 3, 2026, Judy Greer arrived in deep, warm tones—nothing loud, nothing overly planned. A brown half-zip pullover sweater , medium knit, fitted but not tight, sleeves pushed naturally at the wrists. The kind of fabric that folds gently without slouching. Understated, zero bells. It felt more like stepping into someone’s in-progress afternoon than into a photo-op.
She paired it with wide-leg trousers in a slightly darker shade. Not quite matching, not quite contrasting. Pleated, high-waisted, held up with a simple black leather belt and silver buckle. No hooky styling tricks—everything just sat right. Pointed black heels completed the look—barely peeking out, but enough to bring some edge to the softness. Hair loose, wavy, casual. Nothing tucked. Light pink lipstick, easygoing face, hands relaxed.
It wasn’t styled to break feeds—it was worn to walk through real hours.
Helen Skelton wore a soft pink halter neck gown with sleek earrings and clutch at the 2026 TV Choice Awards in London’s Hilton Park Lane.
On February 2, 2026, during the TV Choice Awards in London, Helen Skelton stepped onto the red carpet at the Hilton Park Lane looking like she’d dodged the frost and brought her own spring. The gown —pale pink, satiny, halter-necked—clung lightly, falling clean from the neckline down into full-length movement. It had no frills, no embellishment, no clever inserts. Just shape. Soft and uninterrupted.
What stood out most was the tone—barely pink, like a whisper of sugar dissolved into fabric. The fit was smooth up top, with a subtle curve at the waist before spilling into a fluid lower half. No hard tailoring, no corsetry in view. Her hair , center-parted, slicked back into a clean low bun. Jewelry ? Drop earrings—long, glinting, cold-toned metal punching slightly against the warmth of the dress. Her wrist watch added a moment of real-time practicality.
She carried a small rectangular clutch. Firm grip. No awkward posing.
This wasn’t an aggressive look—it arrived, held its ground, breathed, and stayed.
Karolina Wydra wore a black ribbed dress with fringe cuffs, hem and belt detail for Apple TV’s Press Day in Santa Monica, February 2026.
At Apple TV’s Press Day in Santa Monica on February 3, 2026, Karolina Wydra showed up in black—but it wasn’t the usual. No sparkle, no sharp shoulders, no overkill. Just a long, fitted ribbed knit dress , full sleeves, and the quiet kind of structure that doesn’t beg for lighting. The dress held close to the body—not clingy, just full-formed—and dropped all the way to the ankle where a moody fringe burst out at the hem. Same story at the cuffs. Layered, a bit scruffy, kind of like feathers gone matte.
A black leather belt wrapped tight across the hips and dropped a blunt tassel down her thigh—horsehair-thick, almost surreal. Pointed black pumps beneath, barely visible. Her expression? Calm, like she was five thoughts ahead. Hair chopped just past the chin, parted in the middle, brushing in near-symmetry. No jewelry drama. Everything else pulled back.
Not trying to take over the room—but definitely not invisible either.
It felt like someone made minimalism wear a darker grin.
