Julia Butters debuts a whimsical, retro-futurist aesthetic in a new 1883 Magazine spread, effortlessly fusing nostalgic silhouettes with a modern (and very playful) edge.
Julia Butters, the young actress known for her scene-stealing roles, takes on a new persona in her latest fashion editorial for 1883 Magazine , lensed by photographer Ben Cope. The series of celebrity photos captures her in a variety of moods and styles, each look a testament to a confident, evolving sensibility that bridges the gap between old Hollywood glamour and contemporary cool.
In one shot, Butters channels a disco-meets-punk vibe, wearing a sleeveless, black mini dress adorned with an array of metallic discs that catch the light like a constellation of stars. The dress’s high-energy sparkle and playful silhouette are grounded by a pair of chunky, black patent Mary Jane-style shoes with bold buckles. In another image, she shifts to a more androgynous, structured look with an oversized red suit , the blazer slung casually off her shoulders to reveal a simple, black bandeau top. The pants are wide-legged, adding to the relaxed, modern feel of the outfit, while her pose—crouching down—lends a sense of quiet introspection.
Never one to be boxed in, Padma Lakshmi and her daughter Krishna Lakshmi (looking more like a twin flame than a reflection) grace the cover of Vogue India’s September/October 2025 issue, unveiling a stunning sartorial and personal narrative.
The cover story, titled “It Takes Two,” feels less like a traditional fashion spread and more like an intimate glimpse into a powerful, unbreakable bond. The featured images capture a sense of effortless elegance and familial warmth. One standout shot presents Padma in a voluminous, hot-pink trench coat over a matching gown, creating a silhouette that is both dramatic and gracefully architectural. The fabric appears to have a subtle sheen, capturing the light in soft folds that cascade to the floor, lending the look a sculptural quality.
In another image, Padma and Krishna are captured in an intimate embrace. Padma wears a fluid, halter-neck dress in a deep blue-green, with an ornate, beaded detail draping over one shoulder and a rich, velvet choker tied at her neck. The fabric drapes loosely, suggesting a light, silk-like material. Krishna, meanwhile, is in a vibrant dress with a bold, multi-colored abstract pattern, its thin straps and simple cut providing a striking contrast to her mother’s more structured ensemble. Their shared poses and hand-holding on the cover itself speak volumes about their connection. The looks feel deeply personal, a nod to both their individual style and the synergy between them.
As the accompanying article explains, the editorial goes beyond mere aesthetics. Padma, a supermodel, culinary icon, and author, reflects on her decades-long career, while Krishna, a budding actor-in-training, speaks about her aspirations and the profound influence of her mother. The text reveals a candid, humorous relationship, with Krishna admitting, “she’s still telling me, ‘Mom, just use me in your stand-up. I give you permission’.” It’s a glimpse into their easy rapport and the playful exchange that defines their bond. This shared sensibility extends to their wardrobe choices, which feel less like high-fashion armor and more like a second skin.
The spread is a testament to the idea that true style is a form of self-expression that transcends trends. It’s a visual narrative of connection, legacy, and the unique kind of confidence that comes from knowing who you are. The styling is a masterclass in understated elegance, from the simple, pulled-back hair on both women to their natural makeup, which lets their radiant skin take center stage. This curated approach feels more like a celebration of individual and shared spirit than a simple display of clothes.
In the end, this Vogue editorial serves as a reminder that the best fashion stories are often about more than what one wears. They are about identity, relationships, and the moments that define us. This particular entry into the world of celebrity fashion sets a new standard for what a cover story can be. So, is this a new era of fashion editorials focused on authentic connections—or just another example of Padma and Krishna Lakshmi showing us that their bond is truly inseparable?
Never one to shy from a quiet but impactful look, Shailene Woodley unveiled a sleek, minimalist ensemble for a press stop at the Toronto Film Festival, proving that sometimes, less truly is more—especially when it comes to her always-chic approach to celebrity style.
Shailene Woodley’s approach to the red carpet and press circuit has always leaned into an understated, effortlessly cool vibe, and her latest appearance at the Toronto International Film Festival was no exception. Captured at the Deadline Studio, the actress presented a look that was a masterclass in tonal dressing and strategic proportion play.
The centerpiece of her outfit was a Max Mara Verna Camel Coat with a self-tie belt, worn cinched at the waist. She wore it as a dress, showcasing a striking silhouette that was both tailored and relaxed. The deep, olive green color of the coat added a rich, earthy dimension, its soft texture providing a sense of sophisticated comfort. The V-neckline gave the structured piece a feminine touch, and the oversized collar contributed to the coats dramatic appeal.
Woodley paired the coat with a simple, chic choice in footwear: Max Mara Mary Janes in Leather . These classic shoes added an element of preppy polish to the look, their high shine creating a subtle contrast against the matte texture of the coat. The ensemble was finished with a pair of Khaite x Oliver Peoples 1977C Sunglasses , which, along with her sleek, side-parted hairstyle, gave her a cool, almost mysterious aura. The sunglasses, with their rectangular shape and dark lenses, perfectly complemented her look, which she owned with a composed, confident pose.
