Julia Butters brought structured sweetness to SiriusXM’s NYC studios—her tweed two-piece was part Chanel, part schoolgirl rebellion, and entirely her own brand of cool.
Julia Butters may be young, but her fashion instincts are already razor-sharp. At SiriusXM’s New York studios on September 3rd, 2025, the actress stepped into the spotlight with a look that felt like a wink to heritage couture—filtered through Gen Z’s irreverent lens. It’s the kind of outfit that doesn’t scream for attention but earns it, stitch by stitch.
Butters wore a black-and-white tweed co-ord that balanced classic texture with modern tailoring. The fitted jacket featured structured shoulders and a zip-front closure, punctuated by a crisp white tie detail at the collar—a nod to prep-school polish, but with a twist. The matching skirt was cut short and clean, offering just enough edge to offset the traditional fabric. The tweed itself was tightly woven, with a subtle sheen that caught the studio lights like a whisper of glam. While the designer remains unconfirmed at press time, the silhouette and finish suggest a youthful take on Chanel’s legacy—think Miu Miu meets downtown Manhattan.
Her black high-heeled sandals added height and a touch of minimalism, letting the tweed do the talking. No jewelry cluttered the look, which felt intentional—this was about texture and shape, not sparkle. The SiriusXM backdrop, with its repeated logo and cool-toned lighting, gave the whole scene a media-day crispness. Butters stood poised, hands relaxed, gaze direct. There was no overacting here—just presence.
For more moments like this—where youth meets polish and personality—explore our archive of celebrity style .
Benedetta Porcaroli trades red carpet polish for elemental allure—her September 2025 shoot with Alessandro Treves is equal parts siren, sculpture, and cinematic stillness.
There’s something primal about Benedetta Porcaroli’s latest editorial—something that resists polish and instead leans into rawness, erosion, and the quiet power of stillness. Shot by Alessandro Treves against the jagged volcanic coastlines of southern Italy (location unconfirmed at press time), the September 2025 series feels less like a fashion shoot and more like a myth unearthed.
Porcaroli’s wardrobe is minimal but emotionally loaded. In one frame, she reclines against a dark rock face in a strapless, charcoal-toned dress—its fabric matte and slightly crinkled, as if weathered by sea spray. The cut is simple, almost monastic, but the way it clings to her form suggests a kind of sensual austerity. In another shot, she wears a black one-piece swimsuit with a circular cutout at the center—an architectural detail that breaks the severity of the silhouette and adds a whisper of futurism. A third look features a halter-neck, light-toned dress that pools softly around her seated figure, echoing the curves of the stone beneath her. No visible logos, no excess—just texture, tone, and tension.
Accessories are absent, and that’s the point. The rocks are her jewelry, the shadows her styling. The lighting is natural, subdued, and moody—sunlight filtered through cave openings and cliff edges. Her poses are languid, introspective, almost statuesque. One arm behind the head, another grazing the cheek—each gesture feels choreographed by instinct, not instruction.
In a fashion moment dominated by dopamine dressing and maximalist nostalgia, Porcaroli’s shoot is a quiet rebellion. It recalls the stripped-back sensuality of early Peter Lindbergh editorials, with a touch of Luca Guadagnino’s cinematic melancholy. There’s no attempt to sell a trend—just a mood, a moment, a meditation on form and feeling. And in the ever-evolving landscape of celebrity photos , this series stands out for its refusal to perform.
Zara Larsson leans into hyper-femininity with a twist—her RANGE Fall 2025 cover is all pink power, gold drama, and unapologetic attitude (heels included).
Zara Larsson doesn’t just wear fashion—she weaponizes it. On the cover of RANGE Magazine’s Volume 14, Fall 2025 issue, the Swedish pop provocateur delivers a visual manifesto that’s equal parts glam and grit. Titled “Infinite Horizons,” the editorial feels like a runway moment caught mid-flight: poised, potent, and pulsing with movement.
Larsson’s ensemble is a study in contrast and control. She wears a sculptural pink outfit with gold accents that catch the light like molten metal. The fabric appears satin-based, with a high-sheen finish that amplifies every curve and contour. The silhouette is bold—structured shoulders, cinched waist, and a hemline that dares to flirt with the edge of editorial excess. It’s not just a look; it’s a declaration. While the designer remains unconfirmed at press time, the craftsmanship suggests a couture-level hand, possibly from a Scandinavian atelier known for architectural tailoring.
In a season where maximalism is making its way back into the mainstream, Larsson’s RANGE cover feels like a high-gloss rebuttal to normcore fatigue. It’s giving Barbiecore with brains, a nod to the resurgence of hyper-feminine aesthetics—but filtered through a lens of pop futurism. Think Thierry Mugler meets TikTok-era empowerment. And in the ever-evolving landscape of celebrity fashion , Larsson’s look lands like a glitter bomb in a sea of beige.
