Julia Garcia wears a brown gown with floral embellishments at the Anaconda premiere in Los Angeles.
At the Columbia Pictures’ Anaconda premiere in Los Angeles on December 13, 2025, Julia Garcia delivered a textured and thematically playful red carpet fashion moment that fused jungle-coded elegance with sculptural detailing.
She wears a fitted brown gown with large floral embellishments across the chest—an audacious styling choice that evokes both botanical lushness and theatrical costume logic. The silhouette is sleek and body-skimming, allowing the oversized florals to dominate the visual field without overwhelming the proportions. The color palette—earthy and warm—anchors the look in premiere-appropriate sophistication while nodding to the film’s jungle setting.
Dior Goodjohn pairs pinstripes with glossy shorts at the Percy Jackson Madrid photocall event.
At the Percy Jackson and The Olympians Season 2 photocall in Madrid on December 13, 2025, Dior Goodjohn opted for a look that balances youthful edge with structured polish. The ensemble centers on a white pinstriped shirt , worn untucked for a relaxed silhouette, paired with black high-shine shorts that introduce a subtle play of texture. The shorts’ glossy finish contrasts sharply with the matte black tights , creating a layered visual rhythm that feels deliberate rather than incidental.
The choice of black pointed-toe heels reinforces the outfit’s directional intent—angular, assertive, and slightly retro. While the shirt evokes boardroom formality, the shorts and tights pivot the look toward a more playful, media-savvy aesthetic. This duality is particularly apt for a press event tied to a fantasy series: it suggests both professionalism and imagination.
Lily Brooks O’Briant wears a silver animal print gown at the Anaconda premiere in Los Angeles.
At the Columbia Pictures’ Anaconda premiere in Los Angeles on December 13, 2025, Lily Brooks O’Briant delivered a sleek and thematically charged red carpet fashion moment that fused reptilian glamour with premiere precision.
She wears a sleeveless, floor-length gown in a black and silver animal print , a silhouette that channels serpentine elegance without veering into costume. The print is bold but refined, echoing the film’s title while maintaining red carpet credibility. The fabric’s sheen and pattern placement create movement across the body, suggesting scale and slither without literal mimicry.
