Julia Garcia wore a black lace halter mini dress at Supermodels Unlimited Magazine’s Kendra Wilkinson cover release party in January 2026.
Julia Garcia at Supermodels Unlimited Magazine’s Kendra Wilkinson Cover Release Party, West Hollywood, January 13, 2026. She stands in front of the step-and-repeat, one hand on her hip, the other relaxed, gaze steady, not a hint of nerves. The dress is a black lace mini–scalloped edges, plunging neckline, fitted but not tight. No belt, no wild embellishments, just the texture of the lace and the confidence in her stance.
Her hair is long, parted to the side, styled in soft waves. Makeup is soft, a little bronzer, lips a muted rose, eyes defined but not heavy. Jewelry is minimal–just a few rings, a delicate bracelet, and a tiny cross necklace. Shoes are nude pointed heels, classic, elongating the leg, nothing to distract from the dress.
This is a look that leans into event appearance energy–party-ready, a little bit sultry, but never overdone. For those who follow event appearance , it’s a reminder that sometimes the best move is to keep it simple–one great dress, one great pair of shoes, and a little bit of attitude.
She could be anywhere–a club, a dinner, or just the last one on the dance floor. Tonight, she’s here, and the lace does all the talking. The rest is just background noise.
Grace Van Patten wore a black coat with fur trim, blue cropped cardigan, and leather pants at SiriusXM’s The Morning Mash Up in New York City.
Grace Van Patten at SiriusXM’s “The Morning Mash Up” with the “Tell Me Lies” cast, New York City, January 13, 2026. She stands in front of the SiriusXM step-and-repeat, hands relaxed, gaze steady, not a hint of nerves. The look is a mix of event appearance and off-duty cool–a long black coat with shaggy fur trim at the collar and cuffs, open to reveal a pale blue cropped cardigan, buttoned just enough to keep things interesting. Underneath, black leather pants, straight cut, a little shine, a little attitude. Black open-toe heels, no socks, toes painted black.
Her hair is long, parted in the middle, styled in loose waves. Makeup is soft, a little bronzer, lips a muted rose, eyes defined but not heavy. No necklace, just a couple of rings and a slim bracelet. The whole thing feels easy, a little bit 70s, a little bit “I just threw this on and showed up.” No drama, no sparkle, just clean lines and a sense of comfort.
This is a look that leans into media event energy–tailored but not stiff, modern but not trying too hard. For those who follow event appearance , it’s a reminder that sometimes the best move is to keep it simple–one good coat, one great pair of pants, and a little bit of edge.
She could be anywhere–a radio studio, a gallery, or just out for coffee. Today, she’s here, and the fur trim does all the talking. The rest is just background noise.
Harriet Slater appears in the August 2025 issue of Wonderland Magazine, photographed in three distinct outfits that highlight texture, mood, and editorial edge.
August 2025. Harriet Slater reclined in a striped chair, black leather jacket draped over a strapless dress embroidered with white florals. The pose loose, one arm raised, the other resting. The background textured gray, floor dark wood. The contrast between jacket and embroidery feels sharp, almost unfinished.
Another frame, closer. Red hair vivid, jacket collar pulled high, silver rings stacked. The portrait tight, background dark, expression steady. The lighting dramatic, shadows heavy. The image feels raw, attitude distilled into fabric and gesture.
Third look, ornate setting. Black outfit with voluminous sleeves, skirt flared. She stands before etched glass doors, floral and bird motifs carved into panels. One hand on the handle, the other on the frame. Columns white, molding detailed. Fashion pressed against architecture, modern lines against classical ornament.
