Never one to play it safe, Julia Garner debuted a whimsical, polka-dotted Gucci Resort 2026 dress—a look that felt both promising and, well, a little unfinished.
Julia Garner and Gucci. It’s a relationship that’s been fascinating to watch unfold. As one of the brand’s most visible muses, particularly during its recent transitional period, Garner’s red-carpet choices are always freighted with expectation. At the world premiere of her new film, Weapons, at the United Theater on Broadway in Los Angeles, all eyes were on what she would wear. The answer, as it turned out, was a dress from the Gucci Resort 2026 collection, a fact that in and of itself is a statement.
Fresh off receiving citizenship, Dua Lipa celebrated at her Sunny Hill Festival in Pristina, swapping a couture dress for a laid-back, Glastonbury-coded look that blended high-end brands with effortless cool.
The duality Dua Lipa spoke of—her two sides becoming one—was on full display in Pristina. After a ceremony where she received Kosovan citizenship in a stunning Ferragamo dress, she swiftly transitioned into a more “Radical Optimism” era uniform for her Sunny Hill Festival. That’s the thing about music festivals; the vibe shifts from formal to fun in an instant.
In a surreal swirl of serenity and edge, Brittany Murphy folds herself into a sculptural chair—white-on-white, yet anything but blank—in Blake Little’s 2001 Parade shoot.
There’s something quietly cinematic about Brittany Murphy here—curled like a question mark inside a hanging chair that looks half spaceship, half Bauhaus relic. Shot by Blake Little for Parade Magazine in 2001, the image doesn’t scream for attention. It hums.
