Julianne Hough wore a black leather jacket and matching Khaite mini skirt with knee-high boots at Spotify’s Best New Artist Party in LA.
At Spotify’s 2026 Best New Artist Party in West Hollywood on January 29, Julianne Hough showed up in a full-leather moment that didn’t lean flashy—it leaned controlled, styled, and a little fierce. She wore a black leather zip-up jacket , structured at the shoulders, paneled with oversized front pockets, and cinched slightly at the waist—not tight, just enough to shape.
The bottom half? A Khaite mini leather skirt , overlapping tulip-cut hem, same finish and tone as the jacket. The kind of coordination that feels less matchy-matchy and more tactical. Boots hit just below knee-level, also black patent, and kept the entire look vertical—nothing to stop the eye, all the way down to the floor. No competing accessories. Hands clear except for one phone. No visible bag.
Hair slicked back, parted center, blunt bob tucked neatly behind ears. The finish was clinical—but on purpose. The event appearance felt like a callback to early ’00s clubwear mixed with biker iconography. But cleaned up. Polished.
It didn’t need zippers hanging open or studs screaming for attention—it just needed control. That, and a hell of a hemline.
Paris Jackson wore a black asymmetric cutout mini dress with red-soled platform heels at Spotify’s Best New Artist Party in Los Angeles.
At Spotify’s Best New Artist Party in West Hollywood on January 29, Paris Jackson walked the black carpet in a look that said minimal fabric, maximum attitude. The base? A black cutout mini dress with a sharply asymmetrical shape—long sleeve on one arm, completely bare on the other. Midriff exposed through a diagonal slash that wrapped, almost like the dress itself had been pulled sideways mid-motion.
She paired it with platform sandals —ankle-strapped, velvet-finished with striking red soles peeking out from underneath. One heel planted forward, posing like a clock hand. A small clutch in one hand. Tattoo details visible across her ankle and ribs, offsetting the otherwise sleek simplicity of the silhouette.
Hair: Side-parted, tousled waves, letting the curl fall naturally into the collarbone. Makeup leaned soft except for the eyes—smoky, but not smudged. Jewelry stayed tight: rings stacked, but no heavy metal. The event appearance wasn’t trying to mimic couture. It was sharp and grounded in the idea that eveningwear doesn’t have to cover all the effort.
Jackson’s version of “dressed up” isn’t about more—it’s about precision subtraction.
Blu DeTiger wore a plunging black bodysuit with sheer leggings and burgundy stilettos at Spotify’s Best New Artist Party in LA on January 29.
At Spotify’s 2026 Best New Artist Party in West Hollywood, Blu DeTiger gave the black carpet something a little riskier, a little more sculpted. Wearing a deep V black bodysuit with attached sheer leggings , she played to the late-night mood without overloading the frame. The plunging neckline cut nearly to the waist, no lining, no lace—just fabric, skin, shadow.
What pulled it together was the finish. The panels were matte, but the sheerness of the legs gave the look weightless edges—tight but barely there. She styled it with wine-toned stiletto heels , sharp toe, patent leather, and two thin ankle straps that echoed the clean geometry of the jumpsuit.
Jewelry stayed in a minor key: silver rings stacked and spaced across both hands, with no effort to be dainty. Her hair fell long to one side, soft beachy waves, no part in sight—low-maintenance cool meets practiced silhouette. No gown. No shimmer. Just a sharp shape and confidence.
This event appearance wasn’t trying to red-carpet compete. It was built around contrast—weight and transparency, reveal and armor, effort and ease. Blu didn’t need to cover more. She let the fabric stop just short—and the attitude do the rest.
