Jurnee Smollett wears a black sleeveless dress with a flared skirt at the BirthFund 100 launch.
At the BirthFund 100 launch hosted by Elaine Welteroth and Kerry Washington at Tory Burch Rodeo in Beverly Hills on December 04, 2025, Jurnee Smollett delivered a quietly assertive event appearance in a black sleeveless dress that balanced classic form with modern restraint.
The dress, fitted through the bodice and flaring out at mid-calf, evokes mid-century elegance without veering into retro cliché. Its clean neckline and sleeveless cut allow the voluminous curls of Smollett’s hair to frame the look with softness, while the flared skirt introduces movement and architectural shape. The fabric appears matte, with minimal sheen—an intentional choice that lets silhouette and styling take precedence over surface drama.
Kerry Washington and Elaine Welteroth wear contrasting looks at the BirthFund 100 launch in Beverly Hills.
At the BirthFund 100 launch hosted at Tory Burch Rodeo in Beverly Hills on December 04, 2025, Kerry Washington and Elaine Welteroth delivered a dual-style moment that captured the spirit of the event: bold, intentional, and visually dialogic. Their public appearance on the curved staircase of the venue offered a study in contrast—one embracing radiant drapery, the other opting for sculptural precision.
Welteroth counters with a fitted black outfit that leans into texture and structure. The beaded collar adds a touch of ceremonial formality, while the streamlined silhouette and black heeled boots ground the look in urban sophistication. The ensemble reads as editorial armor—sleek, composed, and quietly assertive.
How do these contrasting styles reflect different approaches to visibility and influence in public spaces?
Chloe Fineman wears bright pink satin pajamas while reading a bedtime story at Moxy Williamsburg.
To celebrate the launch of her new partnership with Moxy Hotels , Chloe Fineman staged a delightfully irreverent celebrity photoshoot at Moxy Williamsburg in Brooklyn on December 08, 2025. The scene? A retro-futurist hotel room. The look? A pair of bright pink satin pajamas that channel both slumber party nostalgia and high-camp editorial flair.
Fineman’s choice of loungewear is no accident. The sheen of the satin fabric catches the ambient lighting with a playful glint, while the exaggerated pink hue borders on cartoonish—deliberately so. This is not a quiet luxury moment; it’s a maximalist wink. The matching rotary phone, held to her ear with mock surprise, doubles as both prop and palette extension, reinforcing the visual logic of the shoot.
