Never one to shy from shimmer, Justine Skye brought high-octane glamour to the VMAs—her silver gown sliced through the red carpet with unapologetic precision.
Justine Skye knows how to make an entrance—and at the 2025 MTV Video Music Awards, held September 7 at UBS Arena in Elmont, New York, she didn’t just arrive, she carved out a moment. In a sea of sequins and sculptural silhouettes, Skye’s look was a masterclass in controlled drama: sleek, sharp, and unmistakably hers.
Skye wore a floor-length silver gown that shimmered like liquid metal under the red carpet lights. The fabric—likely a stretch lamé or sequined mesh—clung to her frame with fluid ease, catching every flash and flicker from the press line. The silhouette was body-skimming, with a daring thigh-high slit that added movement and edge. The neckline was clean, the straps minimal, letting the texture and cut do the talking. While the designer remains unconfirmed at press time, the craftsmanship suggests a label fluent in red carpet seduction—think LaQuan Smith or a custom Michael Costello.
For more red carpet evolutions and high-voltage premieres, explore our archive of celebrity photos .
Padma Lakshmi kept it cool and commanding—her all-black look at Netflix’s glitter-drenched premiere was a quiet flex in a sea of sparkle.
Padma Lakshmi knows how to hold a room without raising her voice. At the March 26 premiere of Survival of the Thickest Season 2, held at the Paris Theater in New York, Lakshmi arrived in a look that felt like a masterclass in understated power dressing. While the backdrop screamed glitter and Netflix fanfare, her outfit whispered: I’m here, and I don’t need sequins to prove it.
Lakshmi wore a long black coat layered over matching black trousers—a monochrome moment that leaned into texture and silhouette rather than embellishment. The coat’s tailored structure gave her frame a statuesque elegance, while the pants added a grounded, utilitarian edge. The fabric appeared matte, possibly wool or a brushed twill, absorbing the purple shimmer of the backdrop rather than competing with it. The cut was clean, deliberate, and quietly architectural. Though the designer remains unconfirmed at press time, the look echoed the minimalist ethos of labels like The Row or Gabriela Hearst.
For more moments of quiet impact and bold restraint, explore our archive of celebrity style .
Padma Lakshmi traded red carpet glam for park-side practicality—her zip-up jumpsuit at Free Shakespeare’s opening night was part streetwear, part stagehand chic.
Padma Lakshmi knows when to dial it down—and when to make that choice feel like a statement. At the August 21 opening night of Twelfth Night for Free Shakespeare in the Park, held at the Delacorte Theater in New York, Lakshmi arrived in a look that felt refreshingly off-script. No gown. No glitter. Just a light blue jumpsuit and a confident smile, standing tall against a backdrop of arts advocacy and cultural celebration.
Her ensemble—a zip-front, light blue jumpsuit—leaned into utilitarian ease. The fabric appeared to be a soft cotton or lightweight twill, offering structure without stiffness. The silhouette was relaxed but tailored, with a cinched waist and slightly tapered legs that gave the look shape without sacrificing comfort. The zipper detail added a touch of industrial edge, while the monochrome palette kept things clean and cohesive. It wasn’t trying to be fashion-forward—it simply was.
Lakshmi paired the jumpsuit with black shoes, likely low-profile and functional, grounding the look in urban practicality. Jewelry was minimal or absent, allowing the outfit’s simplicity to take center stage. No clutch, no statement earrings—just a woman showing up for the arts, dressed like she might help build the set if asked.
In a season dominated by red carpet maximalism, Lakshmi’s choice felt like a quiet rebellion. It nodded to the growing embrace of celebrity street style as a legitimate fashion language—where jumpsuits, sneakers, and utility wear are no longer off-duty, but on-message. Is this the rise of “civic chic,” where fashion meets function in support of public art?
