Kaia Gerber wore a Givenchy Draped Wool Dress and carried a Givenchy Mini Pinch Leather Bag at W Magazine’s Best Performances Party 2026.
At W Magazine’s Best Performances Party in Los Angeles, Kaia Gerber stands pressed lightly against a wall of portraits–calm face, no visible nerves, unhurried. The Givenchy Draped Wool Dress dips deep at the front, halter-cut, folds falling in sculpted rhythm. There’s structure hidden under that ease. Black on black, the kind of choice that doesn’t need to sparkle to feel expensive. It sits clean against her frame, architectural but still soft.
In her hand, the Givenchy Mini Pinch Bag in Leather , small and tight as punctuation. Accessories quiet, shoes black and sharp, hair laid open down the shoulders–cool and unsentimental. The pink carpet around her adds an accidental irony: the hard minimalist dress breathing against candy colors.
There’s something late-90s about the look’s clarity, echoing fashion’s current nostalgia for discipline after too much noise. Givenchy’s tailoring speaks fluently in this language–draped precision as mood. Kaia carries that line with restraint, not swagger.
This outfit doesn’t try to seduce; it edits. And maybe that’s the point: beauty as control, simplicity as the final flex.
Adria Arjona wore a black Michael Kors Spring 2026 ensemble with Tiffany & Co diamond jewelry at the brand’s celebration in Los Angeles 2026.
At Tiffany & Co.’s quiet gathering inside the Chateau Marmont, Adria Arjona cuts through the soft chatter in black. A Michael Kors Spring 2026 look — half sharp suit, half sheer rebellion. The jacket: single-breasted, padded-shoulder, cinched by a belt that bites a little at the waist. Below it, gauzy black trousers gather at the ankle, translucent enough to make the hardwood floors flicker through. You notice movement before detail.
Jewelry keeps it strict. The Tiffany & Co. Sixteen Stone Necklace in Platinum with Diamonds sits like punctuation; no excess, just weight. Matching Schlumberger Flame Ear Clips and a Sixteen Stone Ring catch light the way a whisper does–barely. Even her hair, swept back tight, plays along with the deliberate control of the look.
It’s modern armor, but pared down–how L.A. formalism pretends to be undone. Kors’ tailoring meets Tiffany’s restraint, glancing off each other like glass edges. There’s intellect buried in that simplicity. A bit of danger too.
You can almost hear heels tapping against the wood, then nothing. Just her standing there, poised in a silence that fits better than fabric.
Alison Brie wore a red off-shoulder crochet dress with a floral handbag at NEON’s Golden Globes Afterparty in Los Angeles 2026.
Inside NEON’s low-lit afterparty for the Golden Globes, Alison Brie stands out not by noise but by color. The red on her feels vivid and unbothered–an off-shoulder crochet dress that hugs without shouting. There’s warmth in it, maybe because the knit texture softens the edges usually sharpened by eveningwear. It’s an easy kind of confidence, almost domestic but still deliberate.
The bag she carries is small, metallic gold with embroidered red blooms, playful in a literal way, a wink at her dress’s hue. Hair loose, long, slightly tousled–fringe brushing her eyes. No visible jewelry beyond subtle shine; maybe she didn’t need it. The man beside her (unnamed here) in a clean black suit and tee–his simplicity seems chosen to let her brightness anchor the pair.
