Kaia Gerber wore black bike shorts, a cropped sweatshirt, and Nike V2K Run sneakers while heading to the gym in Los Angeles on January 26, 2026.
On January 26, 2026 , Kaia Gerber was photographed in Los Angeles walking to the gym, a study in how pared‑down athleisure can still feel polished. She wore black bike shorts and a matching cropped sweatshirt , both pieces plain but perfectly fitted, creating a sharp, uninterrupted line. Her look was lifted by Nike V2K Run sneakers , white with metallic panels, and the classic pairing of white crew socks drawn high above the ankle.
Gerber carried a white tumbler bottle in one hand and her phone, wrapped in a Wildflower Meow Brown iPhone case , in the other—an accessory choice that added the faintest teenage nonchalance to the outfit’s neat precision. Minimal makeup and naturally tousled hair kept the tone effortless. The overall air was “morning focus” with just enough style intent to remind anyone watching that simplicity can be deliberate too.
This is everyday fashion done well—zero flourish, just refocus. Gym‑bound but camera‑ready. A subtle nod to the current wave of celebrity street style where functionality and polish quietly overlap.
Gerber’s casual uniform works because of its calm balance; nothing fights for attention. The lean monochrome palette, paired with her athletic silhouette, feels crisp and authentic. Proof again that fashion doesn’t always shout—it often walks briskly by in sneakers, coffee in hand.
Zoey Deutch wore a red sweater layered under a black leather jacket during The Los Angeles Times photoshoot at the 2026 Sundance Film Festival.
At the 2026 Sundance Film Festival on January 25, 2026 , Zoey Deutch posed for The Los Angeles Times in a relaxed group portrait captured by Christina House. Seated front and center, she cut a clean figure in a black leather blazer paired with a bright red sweater layered over a crisp white shirt . The combination had an effortless confidence — casual in mood, polished in form.
Zoey’s hair was styled simply, parted at the middle and grazing her shoulders, her makeup subtle but defined — fresh skin, neutral tones, lightly glossed lips. It’s a quiet, unfussy look that fits the cool‑mountain context of Sundance while adding just enough color to draw the eye. Around her, the rest of the group’s mix of checks, knits, and denim added texture to the blue‑toned studio backdrop, giving the image a warm, almost wintry harmony.
Rihanna wore a white T‑shirt, blue jeans, and pink floral earmuffs with a plush stole while leaving Voltaire restaurant after the Dior after‑party in Paris January 2026.
On January 26, 2026 , Rihanna was spotted leaving Voltaire restaurant in Paris after the Dior after‑party , her look turning the late‑night sidewalk into a kind of casual runway. She wore light blue boot‑cut jeans rolled at the hem and a simple white T‑shirt , the kind of minimal base layer that lets accessories take center stage. Draped over her arm, a white shaggy stole —fluffy, tactile, somewhere between comfort and irony.
Her hair was styled half‑up, half‑loose, framed on both sides by large pink flower‑shaped earmuffs , playful to the point of absurdity yet wholly hers. Around her neck hung colorful layered necklaces , beads glinting under the flash, and she completed the look with black sunglasses , pointed satin heels in pale pink , and the kind of unbothered grin that says she was exactly where she wanted to be.
This was event appearance dressing done Rih‑style: knowingly unpolished, threading luxury through leisure. The fuzzy textures and cheeky accessories worked like punctuation marks—tiny acts of defiance against Paris Fashion Week’s perfectionism.
Rihanna turned what could’ve been a throwaway off‑duty look into something genuinely memorable. The proportions are relaxed, the humor deliberate. There’s a quiet lesson buried in it—fashion as personality, not performance. Even in jeans and T‑shirt, she manages to rewrite the dress code just by showing up.
