Kaia Gerber appears in Harper’s Bazaar USA February 2026, photographed in multiple looks that highlight bold textures, layered contrasts, and confident rhythm.
February 2026. Kaia Gerber on the cover, lace dress white, jacket black leather draped, stockings thigh-high, heels pointed. Hair loose, waves soft. The stance strong, one leg forward, the other back. The look feels sharp, reset energy, stripped of excess.
Another frame: mini dress white again, jacket beige oversized, stockings black, heels pointed. Cap leather, chain detail. The styling bold, almost street-leaning, but still editorial. The background dark, gradient fading.
Third frame: jacket black leather, jeans distressed, rips wide at knees. Tiara perched, torso bare, necklace visible. Pose assertive, legs spread, hands gripping belt. The look edgy, mixing high fashion with raw street grit.
Final frame: red dress shiny, off-shoulder, sleeve tied. Cap black leather again, chain glinting. Background pink, pose confident, hand on hip. The outfit bombastic, playful, almost rebellious.
Olga Obumova posed in a white off-shoulder top, vintage-wash jeans, and sneakers for a minimal studio photoshoot in January 2026.
Inside a minimal studio setting, Olga Obumova sits casually in a curved black armchair, the whole composition stripped down to essentials — light, shape, quiet attitude. She wears a white off-shoulder top that billows softly around her chest, the fabric gathered like folded paper, while straight-cut vintage jeans fall loosely over white sneakers laced in navy blue. The look is easy, everyday, unhurried.
Her hair is left natural, wavy and slightly uneven, while her expression — somewhere between curiosity and calm — feels spontaneous, not styled. The entire image plays with that friction between softness and geometry: the clean horizontal of her posture pressing against the dark rounded furniture, the airy top against the weight of denim. The photograph feels modern in its restraint and nostalgic in its tone — like a memory dressed in neutral light.
Audrina Patridge wore a hot-pink sequin mini dress and nude heels at the Infinite Icon premiere in Los Angeles on January 20 2026.
At the Infinite Icon: A Visual Memoir Los Angeles premiere, Audrina Patridge turned up in a dress that caught every bit of light in the room. The mini was bold pink–somewhere between bubblegum and neon–with tight, iridescent sequins stitched edge to edge. Long sleeves softened the cut’s drama, though the plunging neckline and small side cutouts gave it that late-2000s callback she’s always embodied so well.
Her hair, loose and sunkissed brown, settled easily over one shoulder while matching nude heels stretched her frame without distracting from the sparkle. The purse? A small gray clutch, cool contrast to all that pink. The tone of her look felt straightforward — not costume, not commentary — just the kind of glamour that works best when the wearer is obviously having fun in it.
