Never one to hide her affection, Kaia Gerber fused sleek minimalism with romantic undertones while strolling Venice’s cobblestone streets with Lewis Pullman—proving even casual outings can feel like a red carpet-worthy moment.
As the Venetian night air hummed with the soft glow of streetlights, Kaia Gerber and Lewis Pullman turned heads—not just for their chemistry, but for her effortlessly chic ensemble that blended evening elegance with off-duty cool. The actress, known for her refined taste, opted for a black halter dress with a plunging neckline, its stretchy fabric hugging her frame in a slim, midi-length silhouette that struck the perfect balance between sultry and sophisticated.
The dress’s smooth, matte finish contrasted beautifully with the subtle sheen of her Repetto Cendrillon pumps —classic black leather with a pointed toe and low, elegant heel, adding a touch of Parisian flair to the look. Over her arm hung a Gucci Jackie 1961 Small Shoulder Bag , its structured shape and neutral hue complementing the monochrome palette without overwhelming it. Completing the ensemble were her Khaite x Oliver Peoples 1969C Sunglasses , round frames with a retro vibe that added a hint of vintage charm without overshadowing the modernity of her outfit. Each piece felt purposeful: the pumps grounded the dress, the bag added practicality, and the sunglasses lent an air of mystery—proof that even “simple” outfits require thoughtful curation.
So, are we witnessing the birth of a new era of “casual couture”—or just Kaia Gerber reminding us that love (and good fashion) is always worth showing off?
Emily Ratajkowski brought off-duty elegance to Flushing Meadows—her look, part tennis spectator, part tequila muse, was a masterclass in casual polish with a twist.
There’s something deliciously contradictory about Emily Ratajkowski’s latest outing at the 2025 US Open: a look that whispers “I just threw this on” while every element hums with intention. Caught between the clink of cocktail glasses and the thwack of tennis balls, Ratajkowski’s appearance at the Dobel Tequila bar setup was less about courtside drama and more about curating a moment—one that felt lived-in, styled, and quietly cinematic.
The ensemble hinges on a clever play of textures and silhouettes. A beige sleeveless top—soft, neutral, and almost utilitarian—anchors the look, while a black skirt with a front slit adds movement and edge. The skirt’s cut is precise: not too high, not too safe. It’s the kind of piece that could belong in a Helmut Lang archive or a 90s-era Calvin Klein campaign. The jacket, casually knotted at the waist, feels like a nod to streetwear pragmatism, balancing the outfit’s otherwise sleek lines.
Silver sneakers—yes, silver—inject a flash of futurism into the palette. They’re unexpected, slightly rebellious, and perfectly offset the muted tones above. A phone in hand, no jewelry in sight, and the absence of a bag all suggest a stripped-down aesthetic that’s more about presence than props. The Dobel Tequila bottles behind her? They almost feel like part of the styling—glassy, minimal, and monochrome.
Never one to miss a moment, Sofia Carson unveils a dual masterpiece of dramatic celebrity style at the Venice Film Festival—from a baroque rebellion to a neoclassical dream.
At the 82nd Venice International Film Festival, Sofia Carson proved she’s a master of sartorial transformation. Moving beyond her polished pop persona, the star debuted not one, but two, entirely distinct looks that captured the festival’s high-fashion essence with equal parts grace and edge. The result was a captivating study in duality: the soft romanticism of a beaded Elie Saab couture moment followed by the stark, architectural lines of an Armani Privé creation.
This is a woman who understands a visual narrative.
For the amfAR Gala, Carson attended in a breathtaking Elie Saab Fall/Winter 2025 couture gown. A vision in blush, the dress was an intricate tapestry of heavy beadwork and floral embroidery, its corset top providing a structured counterpoint to the ethereal, voluminous sleeves. The delicate, almost sheer fabric shimmered under the lights, creating a soft, dream-like effect. It was pure old-world glamour, a look designed to be seen in the golden hour light of the Venetian canals.
In contrast, her red-carpet moment for the Frankenstein premiere was a lesson in minimalist futurism. The Armani Privé gown was a sleek, form-fitting silhouette in a pale, almost beige tone. The fabric appeared to be a shimmering, high-tech mesh or finely woven sequins, catching the light in a subtle yet mesmerizing way. Its long sleeves and simple cut gave it a powerful, almost severe elegance—a direct foil to the romanticism of the Elie Saab look.
