Kaitlyn Dever arrived in sun-drenched Brentwood, proving that effortless style (with a whisper of quiet luxury) is the only true indulgence worth having at Jennifer Klein’s annual bash.
On a sweltering Sunday in Brentwood, the unofficial uniform for Hollywood’s elite isn’t a power suit or a couture gown, but rather a masterclass in elegant, off-duty dressing. Kaitlyn Dever offered a perfect case study as she attended Jennifer Klein’s celebrated “Day of Indulgence” event. Ditching the flash for a kind of sun-kissed subtlety, Dever’s look was a breath of fresh air in an age of overt branding.
She wore a creamy, butter-yellow halter top—its raw silk or linen texture catching the light in a way that felt both casual and expensive. The simple, flowing silhouette was a nod to ’90s minimalism, an era defined by its refusal to scream for attention. It’s the kind of piece that works its magic through feel and drape, not through logos. Paired with her wide-leg, washed-out denim jeans, the look had an easy, almost nostalgic feel—a vibe that says, “I’m here to relax, not to make a scene.”
Her accessories were equally understated. A classic black leather handbag, held casually over her shoulder, grounded the lighter hues of her outfit, while her simple dark sandals completed the look with a sense of practicality. The choice felt intentional—a subtle rejection of the sky-high heels often seen at such events. Her dark sunglasses, perched on her nose, added an air of effortless cool, shielding her from the California sun while adding a touch of classic movie-star mystique.
Vanessa Hudgens channels a bohemian goddess, draping her baby bump in a flowing, chocolate-hued number (and looking absolutely radiant while doing so).
On a sunny August afternoon in Brentwood, the red carpet gives way to manicured lawns and the clinking of glasses. Here, at Jennifer Klein’s annual “Day of Indulgence” event, the fashion code is less about grand gestures and more about personal style, a vibe Vanessa Hudgens has long mastered. As she arrived, she presented a masterclass in elegant, maternity-wear ease—a look that felt both deeply personal and universally stylish.
Hudgens chose a rich, chocolate-brown strapless maxi dress, a piece that beautifully showcased her growing baby bump with its gentle ruching and soft, cascading fabric. The dress’s earthy hue and relaxed silhouette perfectly embodied her signature bohemian aesthetic, blending seamlessly with the event’s laid-back, luxe atmosphere. It’s a look that speaks to comfort without sacrificing an ounce of style, proving that maternity fashion can be as effortless as it is chic.
Emma Stone’s latest Vogue cover channels a bold, futuristic vibe with a sculptural black top and denim—an unexpected twist in her fashion narrative.
Emma Stone has always danced between classic Hollywood and modern edge, but her September 2025 US Vogue cover feels like a full pivot into fashion’s speculative future. Shot in stark monochrome, Stone appears in a sculptural black top—part armor, part art installation—paired with casual denim. It’s a look that shouldn’t work. And yet, it does.
The top, rumored to be a custom piece by Loewe (unconfirmed at press time), ripples with dimensional texture and asymmetrical folds, catching light like lacquered obsidian. It’s couture with a pulse—alive, angular, and unapologetically strange. The jeans, faded and relaxed, ground the look in reality, suggesting a kind of wearable rebellion. Is this the new uniform of post-pandemic power dressing?
Stone’s pose is deceptively simple: hands tucked into pockets, gaze direct, body relaxed. But the attitude is pure editorial. The lighting—cool, clinical, almost gallery-like—casts her as both subject and sculpture. There’s a quiet defiance in the composition, a refusal to play pretty.
Styled by Vogue ’s in-house team, Stone’s tousled auburn hair and minimal makeup echo the “personality dressing” theme explored in the issue. It’s not about perfection—it’s about presence. The cover story, titled “The Great Reshuffle,” dives into fashion’s current identity crisis: the collapse of trend cycles, the rise of expressive dressing, and the blurred lines between luxury and lived-in.
