Kara Del Toro wore a rich burgundy satin corset dress with embroidered details and opera sleeves to the Wuthering Heights UK premiere in London, Feb 2026.
This one’s barely fashion. It’s more like invitation-only theater. Gothic opulence. Dessert-table drama. All of it, in one shot.
Kara Del Toro arrived at the UK premiere of Wuthering Heights in London on February 5, 2026, dressed like a Brontë sister who just discovered modern red carpet styling. She wore a deep burgundy off-the-shoulder corset gown , done up in high-sheen satin with internal boning and embroidery over the bodice. The shape? Cinematic. Almost costume. But she wasn’t playing it like a joke.
The corset wasn’t shy. Structured and sharply laced, it pulled at the waist with real intention. You can see the craftsmanship — tiny floral motifs across the busk, rich enough to catch flash but not distract. The skirt pooled in slow, wide folds, brushing the floor like she took the scenic route on the way in. And those long opera sleeves , falling from the upper arm and not attached, gave everything an exaggerated sense of gesture. Like you could curtsy into them.
She kept hair swept up, face framed, and makeup warm but sculpted. No jewels shoved in for the sake of sparkle. The setting helped sell it too — candlelit tables stacked with fruit, florals, dripping wax. The drama didn’t stop at the dress.
And that’s what sold it. Not the styling choices alone, but the fact that she let the scene have her. She belonged to the moment more than the outfit did.
Kate Hudson wore a strapless black silk column dress and nude heels for her appearance on Jimmy Kimmel Live in Los Angeles on February 4, 2026.
It doesn’t get simpler — or sharper — than this.
Making her entrance at Jimmy Kimmel Live on February 4, 2026 , Kate Hudson stepped out in a strapless black silk dress that skimmed the floor and her figure in that quiet-luxury way that doesn’t need to yell to get noticed. No slits. No openings. No glittered embroidery. Just her and a perfect column of fabric.
This piece relies completely on cut and drape. The bodice sits high and clean across the chest, while the skirt falls in the kind of line that glides more than it moves. And that silk? Not too glossy, not matte either — just enough glow to catch hallway light without competing with the wall of framed photos behind her.
She kept the styling smart. Peep-toe nude stilettos lengthened the silhouette. Her hair — Hollywood gold as ever — was parted down the middle and left loose in rippling waves. No earrings. No necklace. Just a few rings and nails painted in a soft neutral. The proof that restraint can still feel show-ready.
This is the kind of talk show outfit that works because it doesn’t over-accommodate the format. You could wear this on a red carpet. You could wear it to dinner. With the right shrug, you could hit an afterparty. Hudson knew that. And she made it look effortless.
Liberty Poole wore a dramatic black lace corset gown with ruched satin and red tulle for the Wuthering Heights UK premiere in London, February 2026.
Gothic glamour with full impact. That’s the headline. No soft moment here.
Liberty Poole arrived at the UK premiere of Wuthering Heights in London on February 5, 2026 , in a sheer black lace corset gown exploding into satin swirls and voluminous red tulle at the hem. It’s operatic, theatrical, and unapologetically costume-coded — and somehow, she makes it feel on-theme instead of overdone.
The top half is all corsetry. Transparent lace. Exposed boning. High neckline. Gloves pushed halfway to the elbow for that extra touch of drama. The silhouette narrows sharply before erupting into layers of gathered black satin that ruffle outward like scorched folds, revealing flashes of blood-red tulle underneath. A dress that practically dares you to look away.
What makes this chaos hold together? Confidence. And control in the accessories. She keeps the rest tight: sculpted waves, minimal jewelry, and a black patent handbag clutched just tight enough to feel calculated. There’s no wink or ironic bow here. She committed — and the carpet returned the favor.
This wasn’t about “being best dressed.” It was about landing in the world of the story. Romantic ruin, corsetry, stormy beauty. She got it. And she ran with it.
