Karrueche Tran wore a pink tweed mini skirt suit and Valentino fur heels to Clarins’ Sugar & Shine Galentine’s Affair in Los Angeles.
At Clarins’ Sugar & Shine Galentine’s Affair in LA on January 29, Karrueche Tran leaned into the color palette of the night—pink on pink, tone on tone, but never flat. She showed up in a cropped tweed skirt suit in the softest shade of bubblegum. Slight texture in the fabric. Muted maroon weave running through it. Jacket oversized, almost robe-like, with wide structure at the shoulders and sleeves that stopped short of the cuff.
The whole thing looked easy. But the tailoring said otherwise.
It was belted at the waist and at the sleeves, both with gold buckles wide enough to anchor the look, not just accessorize it. Underneath, a plunging neckline that barely needed layering. The micro-mini skirt revealed enough leg to make you rethink winter—even in LA.
And then came the shoes.
She wore a pair of Valentino fur sandals —mink-textured, blush-colored, with two crossover straps and an ankle strap to lock them in. Round, open-toe front. Four-inch heel. Luxe, but not stiff. Kind of glam… kind of foolish… kind of perfect.
Hair worn in a retro bob—soft curled under at the ends, tucked behind one side. Nails long, sculpted. Jewelry minimal: slim bracelets and dainty rings on both hands.
The whole thing landed like a Valentine with shoulder pads—witty, warm, and sharp where it counted.
Chantel Jeffries and Pilar Zeta coordinated faded blush and plum looks at the Clarins Sugar & Shine Galentine’s Affair in Miami Beach.
At Clarins’ Sugar & Shine Galentine’s Affair in Miami Beach on February 12, Chantel Jeffries and Pilar Zeta arrived like opposite ends of the same wavelength—one sculptural and muted, the other curve-hugging and warm.
Chantel went for impact, no overthinking. She wore a form-fitting burgundy mini dress , sleeveless, with a wide scooped neckline and a center cutout just under the bust—sharp enough to feel styled, but not overstated. The material hugged her exactly, with soft catching shine under warm lighting. Her strappy red heels wrapped up to the ankle. Subtle bling on the wrist, one ring, and a slick of gloss. Hair long, middle parted, shiny as glass.
Pilar, on the other hand, leaned romantic. Deliberately draped in a pale blush-pink dress , long sleeves, rosette details on the shoulders. Soft V-neck. Flowed but didn’t float. The waist gathered loosely , wrapped down into a dropped knotted hem. Her brown pointed heels added understated sharpness. She carried a small mini green handbag —deep teal against the rose, one of the few true color punches in the frame. Her hair: vintage waves, deep side part, tucked behind the ear.
One static-flavored siren. One abstract Valentine. Balanced, unbothered, paired without matching.
Alexis Wilkins wore a structured black gown with sculpted peplum and long sleeves to the 2026 Starry Starry Night Gala in Palm Desert.
At the Starry Starry Night Gala in Palm Desert on January 31, Alexis Wilkins kept it clean and tailored—with a few sculptural flourishes that made the difference. Her gown came in matte black. Full length. Long sleeves. Sharp shoulders. No sequins or sparkle distraction. The kind of cut that relies fully on geometry.
At the waistline came the key: a bold double peplum , arched outward in stiff folded curves, trimmed along the edge in white lining that peeked just enough to define their shape. It added volume in all the right places without going full drama. The front of the dress fell straight to the floor, hugging the legs before releasing into a slight flare at the base.
A straight boat neckline , clean and collarbone-framing, kept the top crisp. Her hair was styled down and sleek, parted slightly off-center with subtle polish. Bare or barely-there jewelry—simple rings on one hand, plus a narrow cross pendant around the neck. She finished the look with open-toe nude platforms , a surprising softness peeking from underneath the hem.
It all came together like origami—precise folds, one clean statement.
