Kat Von D wore a sculptural black bandaged dress with tattoo-style detailing at the Infinite Icon world premiere in Los Angeles 2026.
At AMC The Grove 14, Kat Von D turned the carpet into a kind of shadow play. Wrapped in overlapping panels of matte black fabric, the dress coiled over her body almost like armor — part sculpture, part second skin. Between the strips of material, slivers of tattooed skin broke through, blurring the boundary between the garment and her own art. The overall effect felt both mechanical and personal, a piece stitched directly into her.
Her hair hung dark and perfectly controlled, center-parted and glossy against the harsh pink lighting of the backdrop. Black-on-black details flowed through the look — tight sleeves blending seamlessly into body paint that mimicked fabric texture. She paired it with low-cut pointed heels that matched the severity of the silhouette. No shimmer, no soft edges. Only form, contrast, and intention.
Sofia Vergara wore a strapless chocolate-brown leather corset dress and black platform heels at the Infinite Icon world premiere 2026.
At the Infinite Icon: A Visual Memoir world premiere in Los Angeles, Sofia Vergara arrived in a look that defines how restraint can still feel powerful. Her dress — a deep chocolate-brown, strapless, and sculpted to precise perfection — framed her silhouette in clean vertical lines. The leather finish gave it structure and warmth, less sheen, more confidence. The neckline dipped into a bold V, sharp but softened by her long, chestnut waves falling forward over bare shoulders.
Minimal jewelry. A few stacked rings. Natural nails. It’s the kind of styling meant not to distract from form — just to emphasize it. Her shoes, black peep-toe platforms with ankle straps, added height without pulling focus. The background of bright magenta carpet only amplified how grounded and warm the look felt.
Anna Paul wore a rose-gold satin dress with tie straps and minimal sandals at the Infinite Icon world premiere in Los Angeles 2026.
At AMC The Grove 14, Anna Paul arrived for the Infinite Icon: A Visual Memoir premiere with the sort of confidence that doesn’t need theater. She wore a draped rose-gold satin dress that caught light like calm water — soft, reflective, quietly confident. The dress, tied at the shoulders with slender ribbons, eased down to a fluid hem that landed just above her ankles. A layered touch of shimmer across the fabric gave movement even when she stood still.
She kept the styling fresh: delicate chain anklets, thin-strap black sandals, and a shimmering clutch that echoed the metallic tone of her gown without matching exactly. Her hair, swept up into a loose top-knot framed by natural strands, softened the formality of the fabric, creating that balance between poise and ease.
