Kate Hudson wore a pink embroidered top and wide black trousers with a satin clutch to the Armani Prive Haute Couture show in January 2026.
Kate Hudson appeared at the Giorgio Armani Privé Haute Couture Spring/Summer 2026 show in Paris on January 27, 2026, in what felt like a direct pull from the house’s most tactile instincts. No gown. No drama-train or hourglass sculpting. She showed up in separates. Unexpectedly—refreshingly.
At the top: a boxy, short-sleeved jacket dripping in pink crystal embroidery , cinched ever so slightly at the waist, with a zipper that met a not-too-deep V neckline. The lower half: crushed black wide-leg trousers , high-shine, with that soft-sheen Armani irregularity. Fabric that wrinkles as a feature, not a flaw.
Erin Doherty wore a sculpted black gown with a folded skirt detail to the 83rd Golden Globe Awards in Beverly Hills, January 2026.
Erin Doherty stepped onto the Golden Globe Awards red carpet on January 11, 2026, in a gown that didn’t whisper or scream—it just stood its ground. No embellishment. No glitter. No overt statement beyond the structure . Her black gown —sleek through the torso, then dramatically pooled into folded, origami-like construction at the skirt—was less about being “pretty” and more about being composed.
There’s a quiet command in this kind of look. No one’s overwhelmed, but no one forgets what they’re looking at. The neckline is a sharp V, but softened just enough at the edges not to feel aggressive. Hair slicked back into a centro-symmetric bun that feels more ballet than beauty queen. Just a diamond tennis bracelet , a ring, a pair of small earrings—and done. No bag. No clutch. Nothing to fidget with.
Penelope Cruz wore a black knit Chanel dress with matching pumps and a mini bag at the Chanel Haute Couture show in January 2026.
Penelope Cruz arrived at the Chanel Haute Couture Spring/Summer 2026 show in Paris on January 27, 2026, dressed like she never left the front row—because legacy, when worn right, walks itself in. She wore a black knit midi dress with button-down detailing all the way past the hips. The lightly transparent texture gave just enough movement to bounce against the pink set backdrop like shadowplay. Crocheted scallop hem. Just a whisper of green trim around the edges. That’s all it needed.
The accessories are textbook Chanel—if the textbook were annotated by Penélope herself. Black glossy pumps , confirmed from the Chanel Spring 2026 collection, sharp but rounded. A mini box bag with gold chain strap, carried like punctuation. Her sunglasses cut across the softness with noir authority. No oversized jewelry, just a flash of a polished emerald statement ring and what looked like a layered beaded choker—another glint of green.
