Kate Hudson wore a strapless red gown with a high slit while presenting onstage at the 31st Annual Critics Choice Awards in Santa Monica 2026.
Santa Monica, January 4th. The stage lit with star‑shaped lights, a burst of red glow overhead. Kate Hudson stood behind the microphone, card in hand, gown catching the spotlight.
Red, strapless, floor‑length. The slit cut high, fabric folding cleanly down the front. Shoulders bare, neckline straight, hair styled loose enough to soften the sharpness of the dress. It wasn’t overloaded with detail — no sequins, no heavy jewelry. Just color and cut, direct and unfiltered.
The card read “Critics Choice Awards.” Hudson’s stance steady, one hand holding, the other relaxed. The gown moved with her, not against her. A look that felt functional for the stage but still striking.
Kristen Stewart wore a black pinstripe Tom Ford Resort 2026 suit with a striped shirt at Variety’s Creative Impact Awards in Palm Springs 2026.
Palm Springs, January 4th. Marble floors, logos stamped across the backdrop — Variety, Palm Springs International Film Society, Parker Palm Springs. Kristen Stewart stood there in a suit that felt both sharp and undone.
Black pinstripes, blazer cut long, trousers wide‑legged. The shirt underneath striped, buttons left partly open, collar loose. It wasn’t polished, not stiff. More like a shrug in fabric form, casual but deliberate. The look leaned into tailoring, but refused to play by its rules.
Natasha Lyonne wore a black sequined long‑sleeve top with flared pants at the 31st Annual Critics Choice Awards in Santa Monica 2026.
Santa Monica, January 4th. The carpet lined with logos — FIJI, milagro, Critics Choice Awards stamped across the backdrop. Natasha Lyonne stepped into that frame in a look that felt both sharp and playful.
Black sequins, head to toe. A long‑sleeved top, fitted but not stiff. Flared pants breaking wide at the hem, catching the light with each move. The outfit leaned into texture, not embellishment. Sequins scattered across fabric, more grit than glitter.
Hair styled loose, jewelry not obvious. No clutch, no fuss. Just the outfit itself, carrying presence through cut and shine. It wasn’t a gown moment, it was something else — a suit’s energy, but softened by sequins.
