Kate Hudson appears in W Magazine’s Best Performances Issue for January 2026, photographed by Tyrone Lebon in a floral dress alongside a group portrait styled with playful uniformity.
January 2026. Ten women lined up, blonde waves falling in near‑identical rhythm. Dresses floral, patterned, multicolored. Each face pursed, lips pushed forward, a kiss or a duck face — hard to tell, maybe both.
Hudson stands central, slightly forward. Her dress fitted at the bodice, ruched skirt pulling texture across the frame. The print loud, but softened by the repetition around her. The others echo her presence, almost clones, but not quite.
Jennifer Lawrence wore a yellow The Row coat with Alo Yoga leggings and UGG boots in New York City on Tuesday.
Jennifer Lawrence stepped onto the grey pavement of New York City on Tuesday, effectively cutting through the winter gloom in a swath of pale butter yellow. The actress selected The Row Delores Cashmere Coat , a wrapping, architectural garment that functioned less like outerwear and more like a soft, mobile fortress against the chill. Beneath the cashmere volume, she wore a simple grey sweatshirt and Alo Yoga High-Waist Airlift Leggings , grounding the ensemble in the practical vernacular of celebrity street style .
This is not a look trying to impress; it is a look trying to survive the cold with its dignity intact. The choice of such a delicate, pale yellow for the grime of a New York winter is perhaps the ultimate flex—a signal that one is driven door-to-door, hovering slightly above the slush. It evokes the “Quiet Luxury” pivot we’ve seen Lawrence navigate under stylist Jamie Mizrahi, but here, it feels undone, messy, and authentically human.
There is a specific irony in pairing a coat that costs as much as a small car with gym leggings and mass-market sheepskin boots. It suggests that for Lawrence, high fashion is merely a functional tool rather than a sacred object. The silhouette is top-heavy and undeniably cozy, prioritizing tactile comfort over visual proportion. While the The Row Delores Cashmere Coat is a breathtaking masterpiece of construction, wearing it this casually borders on fashion blasphemy—which is precisely what makes it work. It is an assertive rejection of the polished “pap walk,” replacing performance with a very expensive form of reality.
Kirsten Dunst appears in W Magazine’s Best Performances Issue for January 2026, styled in a textured red dress with pearls and monochrome heels, captured in a quiet, minimal setting.
January 2026. A plain room, white walls, dark carpet. Dunst seated in the corner, clipboard in hand, pen moving. Outfit sharp, posture bent forward, gaze down.
Her look: red textured dress, sleeves long, fabric heavy but alive. A pearl necklace draped, strands falling, catching faint light. Shoes white, pointed, black toe caps grounding the outfit. The contrast deliberate — vibrant red against muted background, pearls against plain wall.
