Kate Ritchie wore black bike shorts, a relaxed T-shirt, and sneakers while walking her dog in Sydney’s Centennial Parklands in January 2026.
Spotted in Sydney’s Centennial Parklands on January 29, Kate Ritchie didn’t dress for the camera—she dressed for the sun, for the dog, and let comfort cover the rest.
She wore a completely unbothered black-on-black combination : fitted bike shorts reaching mid-thigh and a slightly oversized T-shirt with a soft crew neckline and roomy sleeves. It wasn’t styled. It was lived in. Fabric moved with her, not against her. There’s not a stitch of branding in sight—no logo flashing, no forced sport-core agenda. Just clothes that breathe.
Her sneakers— black with blue-green detailing —look broken in, maybe a few hundred dog-walks past new. Not pristine, but clearly used with intent. Function first. A slim black baseball cap tucked most of her face in shade, with her hair looped into a low pony poking through the back. On her wrist, one practical fitness watch , possibly a tracker band. On the other: a thick pink leash , trailing a floppy-eared spaniel with its tongue out like it owned the sidewalk.
She moved casual, head down, leash in one hand, phone in the other. Not ducking attention, just moving through it. No curated vibe. Just everyday ease that doesn’t apologize for being normal.
Camila Morrone wore an Aflalo leather jacket, silk-tweed midi dress, and knee-high boots while leaving NBC Studios in New York on January 28.
Leaving NBC Studios in Manhattan on January 28, Camila Morrone didn’t need a flash or a statement piece—because she had motion. She was moving, the look was moving, and every part of it felt like it had been cut to glide.
She wore an Aflalo Zadie jacket in leather , deep black, oversized in the shoulders, with the collar flipped high like armor. It hit wide across the back and tucked neatly at the waist. Underneath that: the soft drop of The Row’s Violetta midi dress , in what appears to be a black silk-tweed blend. The hem swayed gently with her stride, hitting mid-calf with an asymmetric cut so subtle it reads “refined,” not “designy.”
Paired with those? Khaite Bella knee-high boots in glossy black leather, with an almond point and just enough heel to tilt the balance forward. The entire silhouette—that jacket’s structure against the softness of the dress, against the polish of those boots—was a study in movement and contrast.
Hair: loose, barely styled, fallen over the shoulders like it got caught in the city wind and stayed like that on purpose. Skin looked fresh—no caking, just a base of radiance. Thanks to a full roster of Chanel skincare and makeup staples , the glow was real but controlled: warm blush, balanced lip (Chanel Rouge Allure 60 Intemporelle, if we’re going there), feathered brows, and a bare flick of mascara.
And that was it. No big handbag. No logos screaming. Just fabric, fit, and someone who knows how to leave a building like it’s part of a long shot.
Katherine LaNasa wore a white textured midi dress with a capelet shoulder detail and black pumps for The View in January 2026.
Outside the studios of The View in New York on January 29, Katherine LaNasa stepped onto the sidewalk dressed like she had already answered every question—and didn’t overexplain any of it.
She wore a white textured midi-length dress , softly structured, printed with subtle dashes or micro-stripes that barely broke the clean palette. The silhouette leaned classic but carried modern sharpness, thanks to a built-in capelet shoulder detail —wide, sculpted, almost armor-like, but softened by the fabric’s bend. Sleeves capped, waist cinched with a narrow same-fabric belt knotted askew, just imperfect enough to disrupt the polish.
The front slit curved up just enough to bring breath to the look. Not sass—just room to walk with ease. She paired it with black pointed-toe pumps , classic, a bit glossy. The kind that say, “Yes, I walked here. And yes, they still work.”
In her hand, a structured black clutch with a gold hardware clasp—plain, direct, needed. On her face, oversized dark sunglasses , not costume-y, just there for purpose. That hint of lipstick red and pinned-back platinum hair said all the rest. Starched where it matters. Relaxed where it doesn’t.
Nothing demanded your attention. Everything earned it. LaNasa’s look didn’t chase relevance—it just stayed ready for it.
