Waving from the backseat like a punk-pop heiress, Kathryn Newton fused retro iconography with Gen Z irreverence—her look, like her smile, was pure street-style charisma.
Kathryn Newton knows how to make an entrance—even when she’s technically seated. Spotted in New York on September 12, the actress turned a casual car ride into a moment of fashion theater, waving from the backseat with the kind of ease that only comes from knowing exactly who you are—and what you’re wearing.
Newton’s black graphic tee was more than just merch—it was a mood. Featuring the iconic face of Debbie Harry and the word “Blondie” emblazoned across the chest, the shirt tapped into a lineage of rock-chic rebellion that’s been reinterpreted by everyone from Hedi Slimane to Raf Simons. The fabric looked soft, lived-in, and perfectly oversized—cut to skim the shoulders and fall just below the waist. It’s the kind of silhouette that says, “I didn’t try too hard,” while still landing squarely in the realm of curated cool.
In one hand, Newton held a pair of sunglasses—classic black frames, likely vintage-inspired. Her seatmate, equally stylish, clutched a tan handbag and a smartphone, rounding out the tableau with a touch of everyday luxury. No jewelry, no fuss. Just two women in a white car, dressed like they own the playlist and the moment.
Graphic tees have long been a staple of celebrity street style , but Newton’s Blondie moment felt especially timely. With fashion’s current obsession with archival references and band tee nostalgia, her look lands somewhere between TikTok trend and punk legacy. It’s not just a shirt—it’s a signal.
Selena’s talk show appearance was less promo, more fashion punctuation—her crisp white dress and oversized bow felt like a wink to old-school glamour with Gen Z precision.
Selena Gomez didn’t just show up to Live with Kelly and Mark—she arrived like a punctuation mark. In a sea of daytime TV looks that often blur into forgettable pastels and predictable tailoring, Gomez’s ensemble was a sartorial exclamation point: bold, graphic, and unapologetically feminine.
The Rare Beauty founder wore a white sleeveless dress with a striking black bow detail—centered, oversized, and perfectly theatrical. The fabric appeared to be a structured crepe or silk blend, holding its shape with architectural intent. The silhouette was classic A-line, cinched at the waist and flaring gently at the hem, offering movement without excess. It’s the kind of dress that could have walked off a Carolina Herrera runway or been plucked from a Giambattista Valli archive. The bow, meanwhile, was pure statement—equal parts Audrey Hepburn and Comme des Garçons.
Accessories : Minimal, as expected. No visible jewelry, no handbag cluttering the frame. Just Selena, seated comfortably, letting the dress do the talking. The branded mugs and floral arrangements on set added a touch of domesticity, but her look remained firmly in the realm of editorial polish.
In a moment where celebrity fashion often leans toward chaotic layering and ironic nostalgia, Gomez’s look felt refreshingly intentional. It nodded to mid-century elegance while staying rooted in 2025’s obsession with clean lines and high-impact minimalism. It’s a reminder that celebrity fashion doesn’t need to be loud to be heard—it just needs to be smart.
In a maroon floral haze, Olivia Cooke channels vintage romance with a modern twist—her look, like the show itself, walks the line between intimacy and intrigue.
Olivia Cooke doesn’t just wear a dress—she inhabits it. In Episode 3 of The Girlfriend , the English actress steps into a visual moodboard that feels equal parts Edwardian garden party and millennial minimalism. The setting? A quiet domestic interior, all white walls and brick textures. The vibe? Softly cinematic, with just enough tension to keep us leaning in.
Cooke’s sleeveless dress is a study in contrast: a crisp white base layered with a maroon floral print that evokes hand-painted porcelain or vintage wallpaper. The fabric appears lightweight—perhaps cotton voile or a silk blend—with a gentle drape that flatters without clinging. The silhouette is classic: fitted bodice, modest neckline, and a skirt that skims rather than swirls. It’s the kind of piece that could have walked out of a Rodarte archive or a Simone Rocha spring collection. Feminine, yes—but not saccharine.
