Katy Perry wore a red sequined strapless top and matching maxi skirt by Prabal Gurung Atelier for her private concert in Abu Dhabi 2026.
Performing at an intimate concert at the Louvre Abu Dhabi on January 27 2026, Katy Perry stood beneath violet stage lights in a sculpted ensemble that could double as an architectural study. She wore a coordinated look from Prabal Gurung Atelier Fall 2025 , pairing a red sequin strapless top with a matching maxi skirt cut just below the knee. The bodice formed a peplum silhouette, the waist’s sudden flare catching and throwing light like a prism as she moved.
Barefoot, microphone in hand, Perry’s energy gave the sequins something alive beyond surface shine. Her hair, parted cleanly and left sleek against her back, balanced the structure of the outfit. Minimal jewelry—save for a glittering bracelet glinting with each gesture—kept the tone focused. It was couture reduced to movement: straight lines softened by rhythm.
Dua Lipa wore a Chanel patterned skirt‑suit with Tiffany & Co. jewelry and two‑tone pumps for a January 2026 fashion photoshoot.
For her January 2026 photoshoot , Dua Lipa posed in what appears to reference her recent Chanel Haute Couture Show 2026 appearance—melding high‑house tailoring with playful attitude. Seated casually on an olive velvet sofa, she wore a yellow‑and‑red matching jacket and skirt , abstract and structured like a reinterpretation of Chanel’s Métier d’Art 2026 craftsmanship. The sharp shoulders, vivid tones, and cropped cut gave the maison’s codes a rawer spin, closer to art pop than salon elegance.
Accessories tied the visual back to signature Chanel motifs: Spring 2026 Earrings , Pre‑Fall 2026 Pumps , and a small Métier d’Art Bag that echoed the textures in miniature. Her subtle Tiffany & Co. Custom Engagement Ring flashed at her finger—a single beam of minimal sparkle against the graphic chaos of the outfit. Red lipstick replaced the traditional Chanel tweed restraint with something punchier, while her sleek hair framed the scene like punctuation, not ornament.
This fashion photoshoot functions as dialogue between heritage houses and personal instinct—Chanel’s rigor meeting Lipa’s mischief, jewelry tradition versus modern irreverence. It’s couture rewritten in a casual room, glamour re‑coded for an age that prefers personality over polish.
When celebrity becomes curator, does heritage survive instinct—or does it evolve with it?
Paris Hilton was seen leaving the Good Morning America studio in New York, wearing a blue‑and‑white printed jumpsuit with a white coat and matching accessories.
Outside the Good Morning America studios in New York, Paris Hilton reminded everyone that winter light can still feel like a spotlight. She wore a Luli Fama Aqua Dreams Maxi Tank Dress reinterpreted as a printed blue‑and‑white jumpsuit , trailing soft porcelain‑style patterns across the fabric. Over it, a long white coat lined in quilting with plush cuffs , sharp‑shouldered but romantic in proportion. The look walked the line between retro glam and fresh snow.
Accessories came as punctuation: a Chanel Heart Bag , silver against the palette; glittered flats— Jimmy Choo Jelly Ballerinas —peeking from the hem; and Celine Oval Sunglasses that sealed off the world in ivory frames. Her hair hung loose in polished waves, echoing the careless excess that’s become her signature. The glow isn’t metaphorical, it’s literal—the kind of glimmer that reflects off every flashbulb.
