Katy Perry wore a futuristic metallic red and silver costume during her Lifetimes Tour performance at Uber Arena in Berlin on October 21, 2025.
On October 21, 2025 , Katy Perry electrified the stage at Berlin’s Uber Arena with a performance that fused spectacle, music, and performance fashion . She appeared in a robotic‑inspired metallic costume in red and silver , complete with armor‑like detailing and long gloves.
Behind her, dancers formed a symmetrical arrangement with raised arms, amplifying the futuristic aesthetic. Smoke, vibrant lighting, and digital projections transformed the stage into a sci‑fi tableau, situating Perry at the center of a spotlight moment that was as much about visual storytelling as it was about music.
Joey King wore vintage‑inspired ensembles for the Montblanc X Wes Anderson “Let’s Write” campaign, blending cinematic storytelling with high fashion.
For the October 2025 Montblanc X Wes Anderson “Let’s Write” campaign , Joey King embodied the whimsical precision of Anderson’s cinematic world. Styled in a brown pinstripe outfit with golden‑brown pleated cuffs and a matching bow tie , she carried a black textured Montblanc clutch with a silver emblem .
The setting—a vintage train compartment with wood paneling, alpine murals, and upholstered seating—evoked the director’s signature retro‑luxury aesthetic. In another frame, King posed outside the train in a mustard leather jacket, patterned beige top, and tan suede skirt , her look accented by dark tights and heels. The snowy alpine backdrop reinforced the campaign’s narrative of timeless travel and creative exploration.
Kristen Bell wore a dramatic yellow coat with oversized sleeves and a black bow for her Hollywood Reporter October 2025 photoshoot.
For the October 2025 issue of The Hollywood Reporter , Kristen Bell posed in a striking yellow coat with voluminous sleeves and a wide black bow cinched at the waist . Styled with sunglasses, sheer tights, and loose waves , the look balanced theatricality with modern polish. The backdrop—a vintage white car—added a cinematic edge, situating Bell in a narrative that merged retro glamour with contemporary high fashion.
The accompanying feature reflected on Bell’s evolution as both actress and producer, highlighting her versatility across comedy, drama, and streaming projects. It emphasized her ability to reinvent herself while maintaining authenticity, noting her recent work in Netflix’s The Woman in the House Across the Street from the Girl in the Window as an example of her genre‑blending appeal. The article also underscored her growing influence behind the camera, where she has taken on more creative control, shaping projects that align with her vision of storytelling.
