Keke Palmer wore a printed pink jumpsuit, fluffy coat, and satin ballet heels at the 2026 Fanatics Super Bowl Party in San Francisco.
Only Keke could show up to a Super Bowl event dressed like a luxurious ’80s aerobics instructor and somehow make it feel chic. At the 2026 Fanatics Super Bowl Party at Pier 48 in San Francisco , Keke Palmer leaned all the way into playful, archival-inspired glam — and didn’t flinch once.
She wore a soft pink and white monogram-print jumpsuit , fully sleeveless, v-necked, with fitted ribbed cuffs scrunched at the ankle like legwarmers. It’s giving vintage Dior-on-the-couch energy with a side of lunchtime workout tape. Tossed across her shoulders? A massive white faux-fur coat — slung, not worn, which is important here. Overdoing it would collapse the outfit. This way, it just whispers bougie.
Her choices below the hem sealed the tone — blush-pink satin ballet pumps , complete with the kind of round toe you last saw in a dance studio, not a press tent. She added a crisp structured mini shoulder bag in ivory, and finished with polished earrings , a thin “K” pendant necklace , and studio-perfect makeup in mauve tones. Hair sculpted tightly back — no flyaways anywhere.
It’s not your average celebrity event look , and that’s the point. She’s not trying to dazzle. She’s delivering a character. It walks a line between ironic and luxe, and if you ask me — it completely commits. And that’s why it works.
She didn’t just wear the look. She walked in, gave it context, and made everyone else feel underdressed.
Sara Sampaio wore a white asymmetrical mini dress and black pumps at the 2026 Fanatics Super Bowl Party in San Francisco.
Some show up all layered and maximal. Sara Sampaio didn’t. At the 2026 Fanatics Super Bowl Party at Pier 48 in San Francisco , she kept things minimal. Not lazy or last-minute — just clean, easy, and probably more effective than some of the louder takes circling that crowd.
She wore an asymmetrical white mini dress , soft satin finish, cap sleeve on one side, sleeveless on the other. No frills. No dramatic slits. The hem sits an inch or two above mid-thigh, enough to keep it sharp but not try-hard. The fit is relaxed without being baggy — more of a throw-it-on-and-go cut than tailored precision. And honestly? That’s the good part. There’s a calm in not overfitting everything.
She paired it with black patent leather stiletto pumps , always good for grounding a pale dress. A small black crossbody bag barely peeks under her arm, chain strap slung casually over one shoulder. The standout? A pair of chunky gold twisted hoop earrings that feel like they were chosen 10 minutes before leaving the hotel — which somehow works. Hair loose, wavey, slightly wind-blown. Nothing forced.
As a celebrity event look , it might not dominate a photo gallery. But in person? It’s strong. The kind of outfit that doesn’t need fixing in post.
It’s the calm flex — showing up looking slept-in but still miles ahead of everyone else.
Xandra Pohl wore a satin bomber mini dress and black stiletto boots to the 2026 Fanatics Super Bowl Party in Los Angeles.
For some looks, the outfit wears the person. But not this time. Xandra Pohl came through for the Fanatics Super Bowl Party in Los Angeles with the kind of fashion confidence that doesn’t shout — it paces slowly, in stilettos.
Her whole look plays with restraint. No shimmer. No bright colors. Just a slick black satin jacket-skirt hybrid , cinched at the waist, with statement white piping tracing along the oversized balloon sleeves and tiered hemline. It moves like a windbreaker but gives off a club-ready glint depending on the light. The bottom flares just enough to pass for a mini skirt while still reading athletic. The styling trick here? There’s nothing underneath competing for attention.
Then there’s the footwear — jet black pointed-toe stiletto boots , knee-high, dangerously close to “how’s-she-walking-in-those” territory. But they anchor the whole thing. Clean. Sharp. The kind that elongate without effort. She finishes it off with chunky rings, sleek oval sunglasses , and her hair left long and undone — soft waves that almost drag the whole outfit into casual territory. Almost.
It’s not an overtly loud celebrity event look , but that’s what makes it effective. She’s not trying too hard. The structure of the outfit carries itself — the shape, the coherence, the monochrome discipline. Not a single clashing element.
The best part? It feels like something you could spot in an airport or at a dive bar and still stop to look.
