Kelli Berglund wore a textured white structured top with an olive-green midi skirt at the Armani Beauty Lounge event in Los Angeles in 2026.
At the Armani Beauty Luminous Lounge at The Grove in Los Angeles, Kelli Berglund slipped into camera range with something earnestly unfussy–yet not at all forgettable. Off the red carpet, brands like Armani seem less about declarations and more about texture, tone, and just enough structure to feel deliberate. That spirit showed up here in an outfit that didn’t need sequins to prove its worth.
She’s wearing a paper-textured white top–structured, molded, with camisole straps, visible seams, and two knife pleats cut into the hem for shape. The bodice snug. Slight curve at the bust. Not plasticky, not too rigid–a fabric somewhere between waffle cotton and soft canvas. Beneath it, an olive midi skirt with a straight cut and soft drape. Floor skimming but not dramatic. The real clincher? It’s all just this palette of cool neutrals–white, sage-olive, a dusted toe.
Genevieve Hannelius wore a white printed tee with metallic blue shorts and boots for Nyota Magazine’s editorial cover shoot in January 2026.
For the January 2026 issue of Nyota Magazine , Genevieve Hannelius was photographed somewhere playful–front and center in front of a vintage carousel. Not posing so much as simply existing in the frame. Hair down. Face direct. Arms casual. It’s not high fashion, but it doesn’t need to be.
She wears a basic white T-shirt with “GIRLHOOD” spelled across the chest in what looks like iridescent, slightly retro rhinestone lettering. Not flashy, but not background either. Paired with shocking blue shorts–shimmering, metallic, cut high on the thigh. They catch light like party streamers. Matte black boots at her feet. No jewelry. The vibe is stripped down, outside-in. Editorial with a side of sidewalk casual. A true celebrity photoshoot where styling meets simplicity–and lets the subject breathe.
Natalie Alyn Lind wore a white strapless mini dress with floral lace tights at the Bulgari Eternal Vimini rooftop event in January 2026.
Atop a glowing white staircase in Los Angeles, Natalie Alyn Lind posed with poise somewhere between ’60s ingenue and 2026 It-girl. It was the Bulgari Eternal Vimini rooftop party–part industry mingle, part brand moment. And her look? More studied than flashy, more finishing school than Hollywood flashbulb.
She wore a strapless mini dress made from a stiff, structured fabric with visible boning seams pulling vertically down the bodice. Slight sheen. Sort of like couture napkin folds if that’s not too weird a comparison. The dress is short but not loud. White, clean-lined, and confident.
Then there are the tights. Pinky-white mesh, covered in a soft floral pattern–visually unexpected, almost like doily lace. They turn the whole look from basic to strange in a good way. Things aren’t overly polished here. The slightly matte texture of her heels–also white, pointy, and mesh-paneled–echoes the tights without being matchy.
Hair is down, softly waved. Nails are pale and squared. Face: warm contouring, thick brows, and that blotted lipstick look that’s been circling quietly this year. The result is something that occupies the weird middle space between vintage Barbie and Gen-Z perfectionist minimalism.
