Kelli Berglund wore a two-tone neutral dress and cream open-toe heels at the Polaris Benefit for Human Trafficking Awareness 2026.
At the Polaris Benefit for Human Trafficking Awareness Month in Los Angeles on January 15, 2026, Kelli Berglund stepped onto the red carpet in a quietly graceful look built on warm neutrals and easy tailoring. Her sleeveless structured top in soft cream featured a slight peplum cut and subtle checked texture, opening at the front hem to create movement. She paired it with a lightweight olive-khaki skirt that fell straight and smooth just below the knee, creating a calm vertical silhouette.
Her hair was kept natural–long, wavy, near-beach texture–and her sandals matched the top’s hue, a soft contrast against the red carpet. Nail polish in deep burgundy punctuated the palette like a small note of rebellion. The makeup echoed restraint: clean skin finish, muted blush, soft rose lips. Every detail felt deliberate yet unfussy, focusing on form and tone over flash.
The look walks that fine line between ease and polish–a minimalist choice that speaks louder for being quiet. Sometimes a neutral palette is the boldest way to say “I’m sure of myself.”
Have red carpet basics finally become the new statement wear, or are we just remembering how calm can photograph stronger than shine?
Billie Eilish was seen in a black hoodie and loose bermuda shorts while visiting her brother Finneas in Los Feliz on January 15, 2026.
In Los Feliz on January 15, 2026, Billie Eilish was seen arriving to visit her brother Finneas, dressed in a look that traded stage energy for quiet comfort. She wore a roomy black hoodie with the word “INTERSCOPE” printed in block letters across the front, paired with long, wide-cut bermuda shorts. The shape felt deliberate–oversized yet weightless, echoing her usual mix of modesty and rebellion.
On her feet, patterned sneakers and tall black socks added a little rhythm to the muted palette. A cross-body bag rested at her side, functional rather than styled. Her hair was tied up simply in a bun. One hand held a tumbler and her phone–one of those effortlessly human combinations that turn errands into small portraits.
Beatrice Grannò wore an oversized black leather jacket and purple pumps at the HBO Max Italia Photocall in Rome on January 15, 2026.
At the HBO Max Italia photocall in Rome on January 15, 2026, Beatrice Grannò leaned confidently into minimal effort, maximum attitude. She wore a structured black leather jacket–oversized, with drawstring detailing at the waist–paired with sheer tights and statement purple heels. The outfit read like downtown cool meeting Roman ease: tough texture offset by color that refuses to disappear quietly.
Her hair was left undone, soft waves pushing forward into her face. Makeup played up contrast–dark liner, a pink-warm lip, that faint undone energy that feels modern even when unplanned. Under the jacket, only a glimpse of black fabric surfaced, teasing at layering without clutter. The high roofline of Rome behind her made the look even more grounded–urban leather against centuries of stone.
It’s bold without trying. The simplicity of a single statement piece holding the entire silhouette. It feels less like dressing up than owning whatever the day demands–and doing it on her terms.
Can a leather jacket still carry rebellion when it’s this clean, or has it finally evolved into quiet power dressing?
