Kelli Berglund wore a sheer pink halter dress with a ruched front and pointed pumps to Clarins’ Sugar & Shine Galentine’s event in Los Angeles.
At Clarins’ Sugar & Shine Galentine’s Affair in LA on January 29, Kelli Berglund stepped up in a dress that didn’t overcomplicate anything. It was simple. Soft. Almost like silk candy stretched into a halter. The dress was a bright sorbet pink—sheer enough to catch light, but not so thin it lost shape.
Cut low at the neckline, the halter top curved in with string ties that gathered at a ruched seam running vertical down the center . Clean edges. No bustle. A curve-hugging look that still felt breezy. The skirt portion grazed the floor, draping with ease, but offered a brief flash of skin at the hip—midriff cut-out, just on one side, stitched into the waistline like a shrug.
Her hair was slicked back, off the shoulders, tied into a neat bun with a perfect-nothing shine. No fuss. The skin spoke. Jewelry stayed minimal—thin bracelets, delicate earrings, barely there. Footwear? Subtle nude pointed-toe pumps , just peeking out under the hem. Nothing to distract.
The whole thing floated somewhere between laid-back LA and early-2000s Britney—blunt, warm, collapsed elegance.
Cheryl Hines wore a sleeveless black sequin gown with cutout sides and pointed heels to the Starry Starry Night Gala in Palm Desert.
At the 3rd Annual Starry Starry Night Gala in Palm Desert on January 31, Cheryl Hines showed up glowing—more reflective than glammed out, in the good way. Her dress caught every bit of overhead lighting without drowning in flash. Black sequins. Full length. Fitted but not clinging. A shimmering pencil shape.
The defining detail? Side cutouts , slashed horizontally at the ribs, connecting the deep-plunging neckline to the cinched waist by barely-there seams. Barely visible from some angles. All there from others. The neckline ran deep—a bold V softened by the curve of her open hairstyle, pin-straight with a flick of face-framing volume. Draped perfectly at shoulder-length.
In hand, a simple textured black clutch . No jewel clutch, no silver hard case, just something functional that didn’t need approval. Pointed black suede pumps completed the look, tone-matching the dress without competing with the fabric’s shine. The smile often outshined the sequins—and that’s saying something.
It was part low-key shimmer, part throwback mischief—and entirely hers.
Robin Thede wore a fitted black shimmer-textured midi dress with peep-toe platforms to the New York screening of “Relationship Goals.”
At the New York screening of Relationship Goals on February 3, Robin Thede took the red carpet and didn’t waste time on pretense. She just looked confident—glowing in a way that said, “Yes, it’s fitted. And yes, it’s working.” The dress was a strong black midi, cut close to the body, but not aggressively so. The fabric? Not sequined, not glossy—more of a textured shimmer. Think reptile skin, if reptile skin knew how to catch hotel lighting without screaming under it.
It had a scooped neckline and tank-style straps. No sleeves, no embellishments. Just curve, glint, presence. A subtle side slit at the hem gave the silhouette breathing room. She wore it with black peep-toe ankle-strap heels —thick platform, open vamp, the kind that adds height without losing humor. Her hair was up, a soft messy bun with just enough volume to frame, not compete. Lipstick : candy apple red, unapologetically bold. No dusty rose here. Brows crisp. No over-highlighting. Just clean radiance.
She looked ready to toast something—or ruin somebody—with the same smile.
The dress didn’t try to say something new. She just made it say it clearly.
