Kelly Rowland wore a Rowen Rose Dalmatian mini dress and sheer black tights to the Relationship Goals screening in NYC on February 3, 2026.
It’s cold in New York, but Kelly Rowland didn’t flinch. On February 3, 2026, she arrived at the Relationship Goals screening looking like a throwback bombshell repackaged for now.
She wore the Rowen Rose Dalmatian Draped-Collar Mini Dress — cream base, high neckline, plunge front, chaotic black spots all over. The cut is structured but short. No ruffles, no twirl. It hugs the body and lands way above the knees — bold winter choice, made bolder by pairing it with black sheer tights (yes, confirmed: L’eggs Sheer Energy Medium Support Control Top according to source context).
Layered over? A sharp black wool coat worn open, shoulder-draped, classic New York energy. She’s not using it to hide anything. Just there for warmth and presence. The shoes look like black patent heels, ankle-strap, barely visible but definitely balanced against the rest.
What makes this look work is the tension. The neckline says drama, the hem says party, the coat says premiere. It’s loud in silhouette but tight in palette — just black and cream. Hair styled in soft shoulder flip, makeup glowing but not loud. She’s not trying to prove anything here. She’s dressed for herself.
This isn’t performative glamour. It’s control. Cool girl energy in spotted print and power posture.
Natasha Blasick wore a black strapless cutout gown with white bows to the Dracula premiere at TCL Chinese Theatre on February 3, 2026.
There’s something so intentionally playful about this — like Halloween came early, but polished. Natasha Blasick hit the Dracula premiere outside the TCL Chinese Theatre in L.A. on February 3, 2026, and brought drama with just the right amount of tongue-in-cheek.
The dress? A strapless black floor-length gown with five oversized white bows running diagonally across the leg. Not fake bows printed on, but sculpted satin drama stitched right into the open side cutouts — from hip to hem. And yes, it reveals actual leg all the way up, spaced between tied ribbons like gift wrap gone rogue.
The silhouette is simple, but the details do the talking. Her styling is smart: clean black clutch , clear-strapped minimalist heels , and no necklace to break the neckline. Instead, the focus stays exactly where it should — on those bows and that super-high slit.
Hair is long, dark, and parted down the middle — understated against a dress that’s having all the fun. The whole thing doesn’t look overly styled. She’s clearly in on the outfit’s own ridiculousness, which makes it work even harder.
It’s not edgy. It’s not classic. It’s not subtle. It’s fun, weird, and weirdly effective.
The red carpet needed this kind of unserious.
Erika Jayne wore an Ashley Williams printed mini dress, faux fur coat, and pink glitter heels in New York City on February 3, 2026.
This is how Erika Jayne does New York winter: no boring neutrals, no safe coats, no half-effort anything. On February 3, 2026, she hit a Manhattan sidewalk in a look that made it pretty clear — subtle isn’t even in the rotation.
She wore a multi-color Ashley Williams mini dress , trimmed, tight, with an all-over chaotic-fun graphic print that looked like glossy magazine clippings and candy store graffiti had a fashion baby. The hemline was short — like direct-to-afterparty short — and unapologetically so.
But the best layer? The coat. A full-length, oversized spotted faux fur , heavy and maximal and almost comically luxe. It hangs like you’d expect from someone who knows the coat matters most. It’s the only thing standing between her and winter, and she’s still acting like it’s a red carpet.
Below, glitter-drenched pink platforms , so tall they feel reckless. But they work here. The sparkle hits hard under the streetlights, and with bare legs in February, that shoe choice isn’t just for show — it’s commitment.
Hair slicked into a high topknot. Diamond earrings big enough to catch headlights. Not a hint of irony. Not one wasted detail.
This isn’t elegance. It’s impact. And Erika walked straight into it.
