Kelly Rowland wore a Dalmatian-print Rowen Rose mini dress and sheer black tights to the New York premiere of “Relationship Goals.”
At the New York premiere of Relationship Goals on February 3, Kelly Rowland didn’t opt for safe elegance. She chose something sharper. She arrived in a long-sleeved Dalmatian-print mini dress by Rowen Rose, the kind of piece that could lean costume if it weren’t cut with surgical precision.
The dress, from the brand’s Fall/Winter 2025 collection, featured a sculpted silhouette with strong shoulders , a cinched belted waist , and a not-so-quiet contradiction: a dramatic high neckline arched delicately above a deep scoop chest cutout . The fit was firm but unforced. A clean shape against a wild print. Animal motif + architectural elegance.
She paired it with L’eggs Sheer Energy black tights , slightly glossy under red carpet lights, and classic peep-toe pumps with a curved vamp and restrained shine. Jewelry stayed minimal: squared velvet Saint Laurent earrings , a chunky cocktail ring. Her blunt bob hairdo was softly waved. Framed her jaw just right. Makeup landed right where it should—defined eye, satin lip, not over-bronzed. Day-to-night without shifting gears.
The whole thing had just enough chaos to feel alive—but never slipped off balance.
Amanda Peet wore a textured gray jacket and black floor-length skirt to Apple TV’s Press Day in Santa Monica on February 3, 2026.
At Apple TV’s Press Day in Santa Monica, Amanda Peet brought a sense of steady formality—quiet, architectural, and just a bit somber in the best way. Her look was entirely tonal. No pops of color. No shiny distraction. Just two classic shades—deep charcoal above, jet black below.
She wore a structured gray jacket , wool or something near it, with a subtle grain woven through the surface. No lapels, no buttons—just four tied closures down the center front, giving the top closure a slight East Asian nod without going costume. The cut followed the shoulder and curved slightly at the side seams, tapering toward the high hip before stopping blunt, clean. Below, a long black skirt —completely column in shape, no visible pleats, no obvious drape, just vertical language head to toe.
Minimalism, but not modern. More monastic. More grounded.
Hair pulled back, not tight, but neat. No visible jewelry beyond what might be a ring. Makeup, if any, was kept light—skin-forward, free of eager blush or lined lip.
The whole appearance landed with the same quiet strength as a closed door in a soft hallway. Not loud. Not lost. Firm.
Angourie Rice wore a pale blue knit vest, black pleated skirt, and white socks with loafers at Apple TV’s Press Day in Santa Monica.
At the Apple TV Press Day in Santa Monica on February 3, 2026, Angourie Rice arrived in a look that felt like a nod to school uniforms—but with just enough twist to land it firmly in grown-up territory. The outfit? Structured, layered, and preppy without being too precious.
She wore a light blue sleeveless knit vest , ribbed at the hem and trimmed in black and white around the neckline, layered over a buttoned-up collar shirt in the same quiet blue tone. Below the waist, a black pleated midi skirt , tailored but soft, floated just over a white uneven hem—a layered inner skirt that peeked from underneath like crumpled paper or a hidden petticoat. Not polished. Just interesting.
On her feet? White ribbed socks scrunched mid-calf over glossy penny loafers . No heels, no shimmer. Hair full, softly waved, parted in the middle. Natural makeup, slightly flushed cheeks, and a faint pink lip.
It didn’t scream or glimmer—it just hummed an exact note and let it last.
