Kelsey Merritt wore a sheer black beaded gown with diagonal stripes and minimal accessories to the 2026 Grammy Awards red carpet.
Arriving at the 68th Annual Grammy Awards in Los Angeles on February 1, Kelsey Merritt took a direct route—no train, no tulle, no fuss. Just a gauzy sheer black gown , beaded in spiraling diagonal stripes that cut across the body in downward motion, like rain sliding down glass. There’s a slight cowl neckline , relaxed and soft, not slouchy. The silhouette clings but doesn’t squeeze. It breathes.
The material reads as mesh or chiffon—uncertain, but definitely light. The stripes are textured, subtly sequined, catching light but refusing to glare. Her shoes: simple black open-toe sandals with thin ankle straps, neutral and efficient. No jewelry distracts, no bag on hand. Hair down, parted center, with a slight wave at the ends—enough to look undone without looking careless. Makeup stays soft: mauve lips, defined lashes.
This is the kind of look that doesn’t beg for commentary, and maybe that’s the point. In a crowded room of maximalist couture and over-styled statements, something almost transparent can demand more attention. It’s familiar—’90s bar dress energy—but updated with discipline. And there’s confidence in that kind of naked restraint.
The fashion verdict ? Controlled ease. A performance of simplicity that requires more nerve than layers of volume ever could.
Chrissy Teigen wore a strapless embroidered high-low gown and patent heels at the 2026 Grammy Awards red carpet in Los Angeles.
At the 68th Annual Grammy Awards in Los Angeles, Chrissy Teigen gave us texture, curve, and—most importantly—movement. She wore a strapless gown by Caroline’s Couture , finished in a softhearted shade of faded rose. The dress followed a classic high-low cut, front hem cropped to mid-thigh, the back trailing downward in soft folds—not too dramatic, not stiff. Air still passed through.
The fitted bodice leaned into corsetry without overdoing it. A subtle keyhole at the center barely interrupted the dense embroidery, which spiraled across every inch of the fabric in deep plum thread. Almost floral, almost paisley, definitely heavy. But the balance came from shape: bare shoulders up top, exposed leg below. From the right angle, it felt like two different dresses merging in motion.
Her shoes? A sharp contrast. Paris Texas Lidia slingback heels , in chocolate brown patent leather , gave serious heel-to-calf precision. The elongated point and 105mm structured lift grounded the femininity of the dress with a hit of blunt edge. No visible bag. Earrings dangled but stayed quiet.
Hair was parted clean, tucked back without fight. Minimal flyaways. Makeup glowing, neutral-toned, not begging for amplification. The look felt settled. Like it had volume but no need to shout.
The fashion verdict ? Surprisingly restrained, considering the volume and sparkle. This is what proportion control looks like—when you let silhouette do the loudest talking.
Kesha wore a dramatic white feathered gown with stacked volume and circular metal clutch at the 2026 Grammy Awards red carpet.
At the 68th Annual Grammy Awards on February 1, 2026, Kesha made her entrance in something less “gown” and more… creature. Her white feathered dress , fully texturized from neckline to hem, was more sculpture than fabric. The silhouette was extreme: tiered like a wedding cake flipped inside out. The upper bodice burst outward in a stiff off-the-shoulder plume—rounded, padded, unbending. It hovered a few inches off the arms, like an orbiting cloud frozen just before storm.
Below, the shape narrowed fast into a body-hugging column skirt , also feathered, tapering then flaring gently outward into a circular train that spread onto the carpet like the edge of a snowdrift. It moved less like fabric and more like insulation dragged by energy. She carried a small silver mirrored clutch —dramatically modern and oddly medical-looking, like a sci-fi disc. Her fingers curled around it with precision, almost protectively.
Hair was undone in the best way—loose waves, center-parted, no visible styling product. Makeup stayed warm: soft contour, bronzed cheeks, taut shiny lids. It balanced the volume above and below. No jewelry pulled focus.
This wasn’t fashion as red carpet. It was red carpet reimagined as disguise, as instinct. Bird, armor, surreal couture—all wrapped into a singular gesture that leaned maximalist but never silly. In a moment where many play it safe post-pandemic, this choice felt deliberately weird. And weird is better than invisible.
The fashion verdict ? Not easy. Not flattering. But bold. The dress doesn’t ask to be liked—it dares you to look away.
