Kendall Jenner wore a black and gold lace dress for the October 2025 cover shoot of Fabulous magazine, celebrating her 30th birthday.
For the October 26, 2025 cover of Fabulous magazine , Kendall Jenner appears in a long-sleeved, form-fitting dress featuring a black and gold lace pattern that evokes both gothic elegance and high fashion precision. The backdrop — a swirling black-and-white abstract design — amplifies the visual drama, framing Jenner as both muse and monument.
Her styling is minimal yet deliberate: loose waves , neutral makeup , and a pose that balances poise with introspection. The headline “KENDALL 3.0” signals a shift — not just in age, but in editorial tone. This is not a debutante; this is a woman who has mastered the art of presence.
The cover story traces Jenner’s evolution from a shy teenager to the world’s highest-paid supermodel, marking her 30th birthday as a symbolic milestone. It explores her relationship with fame, her resistance to cosmetic speculation, and her nuanced position within the Kardashian-Jenner media machine.
One quote stands out: “I was born into this life, but I didn’t choose this life.” It reframes the fashion spread as more than aesthetic — it’s a portrait of agency reclaimed. The lace dress, with its intricate patterning and body-conscious silhouette, becomes armor: beautiful, deliberate, and unyielding.
This editorial aligns with the 2025 trend of biographical fashion spreads , where garments are chosen not just for visual impact but for narrative resonance. Jenner’s look channels high fashion as autobiography — a style that speaks not just to the eye, but to the arc of identity.
Emma Corrin wore a monochromatic off-white cowboy-inspired outfit for the November 2025 editorial photoshoot with GQ UK.
For the November 2025 issue of GQ UK , Emma Corrin appears in a monochromatic off-white ensemble that fuses Western iconography with editorial minimalism. The look features a wide-brimmed cowboy hat , an oversized jacket , and a cropped tank top adorned with a small heart emblem — a visual punctuation that softens the otherwise stark palette.
The styling is relaxed but deliberate: the jacket worn open, the tank revealing midriff, and the silhouette leaning into slouch rather than structure. In the inset image, Corrin walks with hands in pockets, reinforcing the off-duty ease that defines the shoot’s tone.
Corrin’s outfit channels the 2025 editorial trend of cowboy-coded minimalism , where Western motifs are stripped of their ruggedness and reimagined through clean lines and tonal restraint. The absence of embellishment allows the silhouette to speak — oversized but not overwhelming, casual but not careless.
The accompanying editorial text frames Corrin as a master of comfort-driven style, with a wardrobe full of slouchy trousers , oversized shirts , and vintage tees . Their willingness to throw in a cowboy hat or Crocs underscores a fashion philosophy rooted in contradiction: playful irreverence meets curated cool.
This shoot also coincides with Corrin’s starring role in Orlando at London’s Garrick Theatre, a production that explores gender fluidity and identity across centuries. The fashion spread subtly echoes that narrative — the cowboy hat, once a symbol of masculine frontier grit, becomes a gender-neutral accessory of self-expression.
Kristen Stewart wore Paul Smith vintage pants with a Yasmine Eslami top and Converse trainers at the Film Independent screening in October 2025.
On October 28, 2025 , Kristen Stewart attended the Film Independent screening of The Chronology of Water in Los Angeles , delivering a look that fused punk-coded clarity with red carpet defiance. She wore Paul Smith vintage pants in a bold red hue, paired with a Yasmine Eslami Caroline white top , a light jacket printed with the word “PURITY” in yellow and orange tones, and Converse All Star Nylon Trainers — a silhouette that balanced rebellion, irony, and editorial restraint.
Her accessories included the Jillian Dempsey Punk Lock Necklace , a subtle nod to subcultural heritage, while the drink in hand and relaxed posture reinforced the look’s deliberate anti-formality. The backdrop — branded with Film Independent Presents and Golden Globe Foundation — framed Stewart’s appearance in thematic contrast, turning the moment into a full-fledged fashion moment .
Stewart’s styling reflects the 2025 red carpet trend of cinema-coded punk minimalism , where garments are chosen not for polish but for narrative tension. The printed jacket — graphic and ironic — channels the rise of celebrity looks that prioritize message over embellishment.
The red pants introduce a note of haute couture irreverence , while the Converse trainers inject editorial grit. In a landscape where red carpet fashion often leans toward glamour and precision, Stewart’s ensemble signals a pivot toward designer outfit subversion — where elegance is defined by intent, not conformity.
This appearance also aligns with the growing wave of iconic appearance styling that favors authenticity over spectacle — a look that speaks to presence, protest, and personal mythology.
