Kendall Jenner wore a white feathered Bottega Veneta gown at the L’Oréal Women of Worth celebration.
Kendall Jenner attended the 20th Anniversary of L’Oréal Paris Women of Worth in Los Angeles on December 2, 2025, wearing her first Bottega Veneta red carpet gown — a textured white creation from Louise Trotter’s Spring 2026 debut. The high-neck silhouette , floor-length hem , and thigh-high slit were all anchored by a surface of recycled fiberglass shards , giving the gown its signature feathered illusion.
The gown’s material — a runway-first for Trotter — shimmered under the lights, catching every camera flash with its reflective fringe. Jenner’s styling was restrained: light-toned Bottega Veneta pumps , gold hoop earrings , and no handbag, breaking her streak of The Row purses. The absence of accessories let the gown dominate, while the slit offered a glimpse of movement beneath the sculptural surface.
Does this gown evoke avant-garde couture or a futuristic take on Old Hollywood glamour?
Zara Larsson wore a cream off-shoulder dress with a voluminous skirt at Jingle Ball in Fort Worth.
Zara Larsson attended iHeartRadio 106.1 KISS FM’s Jingle Ball in Fort Worth, Texas on December 2, 2025, wearing a cream-colored off-shoulder dress that fused romantic volume with pop star polish. The sheer ruffled neckline framed her shoulders with softness, while the voluminous skirt added theatrical lift to the silhouette. The structured bodice anchored the look, keeping the proportions balanced and red carpet-ready.
Her cream-toned heels matched the dress, elongating the leg line without disrupting the tonal harmony. No visible jewelry or handbag competed with the gown’s statement shape — a smart choice for a music event where the dress needed to speak louder than the accessories.
Larsen Thompson wore a black halter-neck dress at Marc Jacobs’ Garden of Joy event in Miami.
Larsen Thompson attended Marc Jacobs’ “Garden of Joy” event at Art Basel in Miami on December 2, 2025, wearing a black halter-neck dress that fused fragrance fantasy with sculptural simplicity. The silhouette was clean and vertical, with a high neckline and bare shoulders that framed her posture like a perfume bottle — elegant, upright, and designed to be admired.
The dress’s fabric was matte, absorbing the saturated colors of the floral display behind her. No embellishments, no distractions — just the cut, the fit, and the confidence. Her black handbag echoed the dress’s minimalism, while the surrounding daisies and oversized perfume props amplified the contrast between her look and the event’s exuberance.
Thompson’s styling was deliberate: no jewelry, no competing textures. Her pose — composed, centered, slightly angled — suggested a woman who understands how to anchor a visual spectacle without being swallowed by it. This wasn’t just event appearance . It was a study in restraint amid sensory overload.
Does this look evoke fragrance campaign minimalism or classic eveningwear restraint?
