Kiernan Shipka attended The Vulture Spot during the 2026 Sundance Film Festival in a black velvet dress with a brown belt and platform boots.
The neon blue of the Paramount+ logo casts a quiet glow against the wall while Kiernan Shipka stands with one arm draped over the snack bar, posture relaxed, half amusement in her smile.
Her look strikes an easy balance between nostalgia and polish. She wears a black velvet dress , soft fabric absorbing the light, cinched at the waist by a wide brown belt tied with a jeweled clasp that could’ve come straight from a vintage trunk. The midi-length hem moves neatly over black platform boots , adding shape and structure to what might otherwise feel too romantic.
Chase Sui Wonders and Rachel Sennott attended the Lakers vs Raptors game in Los Angeles on January 18, 2026, wearing casual monochrome looks.
The courtside glow hits differently — bright yellow floors, white flashes, denim and leather against it all. Chase Sui Wonders and Rachel Sennott stand close, half laughing into the noise of the Lakers crowd.
Chase keeps things simple. A white sleeveless knit top with subtle geometric texture, tucked neatly into black leather trousers that taper at the ankle. The sheen of the pants catches the court’s reflection, balancing the softness of her top. She holds a black leather jacket , unbothered, draped casually at her side. Footwear, dark and functional — just enough structure to keep the look grounded, not staged.
Margot Robbie appears in Vogue Australia’s February 2026 issue, styled in multiple outfits that balance elegance with candid ease.
The February 2026 issue of Vogue Australia places Margot Robbie in a set of frames that feel both cinematic and everyday. One shot has her leaning against a classic convertible, city lights flickering in the distance. She wears a patterned mini dress, sleeveless, jewelry catching the dusk glow. The pose is relaxed, almost careless, but the styling keeps it sharp.
Another look shifts tone. Walking arm-in-arm down a rural road, she pairs a red-and-white top with a short patterned skirt and matching knee-high boots. The companion beside her in a graphic tee and black pants makes the scene feel less staged, more like a road trip moment. Sunset light, utility poles, a vintage car parked nearby–it’s nostalgic, almost romantic.
The spread insists on contrasts. Urban skyline versus open road. Evening glamour against casual wander. Robbie’s outfits carry the weight of fashion, but the settings strip them of polish. They feel lived-in, like clothes worn on the way somewhere, not just for the camera.
