Kiernan Shipka wore a sheer black lace cropped top with high-waisted trousers at The Hollywood Reporter Studio at Sundance 2026.
Emily Ratajkowski wore a black belted coat over a chunky knit and hiking boots while out in Aspen, Colorado, in January 2026.
Out in Aspen on a cold January night, Emily Ratajkowski delivered a version of celebrity street style that didn’t feel curated — just warm. Not polished, but functional. She wore a long black robe-style coat , thick and textured like faux fur or velour, with its wide tie belt knotted loosely at the waist. A coat that serves more like a heavy blanket than a tailored piece — exactly what you want when the sidewalks are wet and there’s gravel in the slush.
Beneath it, peeking out just enough to be seen, was a chunky ribbed cream turtleneck , sleeves drooping over the cuffs like they’d been stretched from wear or deliberate nonchalance. And then the boots — deep burgundy hiking boots , thick-soled with visible tread and tight laces. Practical. Ugly-beautiful. The kind you wear because you want dry toes, not compliments.
No makeup moment, no bag meant for photos. Her hair? Just down. Straight, parted center, brushing against the collar like static got to it first. Everything about this off-duty look said the day was done — maybe it never really got started. And somehow, that’s the beauty.
Sometimes Aspen eats fashion alive — which is why the smartest move is to let it.
Anna Cathcart wore a patterned slip dress and red pointed heels to the Cosmopolitan and Pandora Jewelry event in Los Angeles in January 2026.
At the Cosmopolitan and Pandora Jewelry celebration of Music’s Biggest Weekend on January 30, 2026, in Los Angeles, Anna Cathcart stepped out in a look that felt quietly playful and personal. She wore a spaghetti-strap slip dress , semi-fitted and falling a bit below the knee, composed of contrasting patchwork prints — zebra-like optical stripes, acidic florals, digital swirls, and vintage-china blossoms — all stitched together into one calm chaos. The neckline dipped into a subtle V, edged in black lace , giving just enough softness to temper the mash-up of tension happening across the hem.
It read like something picked out instinctively. No overthinking. The mix of patterns was less fashion-statement and more moodboard scrap — lively but not chaotic, nostalgic without irony. It had an early-2000s thrift energy, but cleaner. Less rummage, more precision. Like someone who still remembers what Tumblr used to be but isn’t trying to recreate it. With deep red pointed heels , glossy and grounded, the outfit found its footing. No bag, no unnecessary clutter.
There’s something to be said for looks that prioritize mood over structure. This wasn’t a high-concept media event dress. But it had charm. It breathed. She wore it like it wasn’t trying to be the main character — more like a character on her own timeline. Slip dresses once signaled effortless minimalism — now they carry the weight of curated chaos, equal parts quiet and clashing. And that’s why a dress like this doesn’t need to scream. It just exists, surprisingly.
